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Showing posts with label Bangla Choti. Show all posts
Showing posts with label Bangla Choti. Show all posts

Bangladeshi 100% real prostitute & call girls mobile number

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Sex with classmate

Ami takhan cls 9 e portam. Amadr paser basay Rupa namer akta meye cilo, o amar sathei parto,amra 2 jan valo frnd cilam
o amadr basay asto ami odr basay jetam
or sathe amr onek dharaner katha holeo kakhon o sexual bepar niye katha hota na
o khub sexy figure er cilo
ami sabsamay ore chudar kalpona koqe dhon khestam bt kakhon o ore kisu boltam na
to akdin sakale o amader basay aslo
takhon amdr basay keu cilona
amra english movie dekhtasilam
takhan akta hot scene dekhassilo
ami or mukher dike takiye dekhi o intrest er sathe dekhtase
takhon amar mathay akta dusta buddi chaplo
ami ore jiggas korlam tumi kakhon o blue film dekheso?
O lojja peye bolla:na
ami takhon ore bollam:dekhba? Akn to basay keu nai kno samossa nei, tmi khub maja paiba
takhon o prothame na bolle o ses parjonta ha bolla
ami to khusi hoye taratari amr dvd playr e akta english 3x chalai dilam
o surute lajjay lal hoye gelo but aste aste free hoye gelo
takhon amior aro pase giye bose or kadher upar diya hat rakhlam bt o kisu bolla na
tn ami or dudur upar hat dilam and aste aste chap dite laglam
rupa ballo aisob ki kartaso?
Ami ballam j mja kartasi tmi khub mja pabe
o prathome raji hossilo na bt amar chapa chapite ses parjonta raji holo
tn ami ok kiss karlam dud tiplam nd or jama khule fellam
or sarire takhon sudhu bra & panty sara kisu silo na
ami or panty & bra khule dilam
ami or dud dekhe obak hoye roilam coz ok dekhte khub e sundor lagtase
tn ami or dud chuste laglam
takhan ami amr pant khule fellam
o amar 8inch lamba dhon deikha obak hoye gelo
ami or hate amar dhon dhorai dilam
o aste aste amar dhon niya khela korte laglo
ami ore amar dhon chuste bollam bt o lojja peye gelo tn ami r ore jor kori ni
takn ami ore khate shue dilam and aste aste or voda diya amar dick ta dhukate laglam bt or voda ato tight cilo j amr dick dhuktecilo na
takhon amai or voday suck karlam and amar dhon e chep diya or voday dhukanor chesta karlam

Then ami amar dhon aste aste or voday ardhek dhukalam and aste aste thap dite laglam
tn ami jore ak ram thap diya amar 8inch dick ta sampurna or voday dukhai dilam and o citkar kre uthlo

ami takhon ok kiss karlam and thot chepe dhorlam jate citkar karte na pare....and jore jore thap dite laglam

kisukkhan par o mja pete suru karlo and uh uh karte laglo
10min aivabe chudlam
er moddhe or 2 bar mal out hoi gese
ami takhon khate suilam and ok amar upar basiye 15 min er mato chodar par amar mal our hoibar purbei amar dhon ta or voda thaika ber kre fellam and amar mal gulo or duder upar fellam.......
O jakhon uthtecilo takhon dekhlam or voda rokte vore ase....

Aivabe kre ok oidin aro akbar chudlam tn o chole gelo

er par or sate amar aro onek bar sex hoisilo bt akn porjanta keu ter pay nai........ 

Then ami amar dhon aste aste or voday ardhek dhukalam and aste aste thap dite laglam
tn ami jore ak ram thap diya amar 8inch dick ta sampurna or voday dukhai dilam and o citkar kre uthlo

ami takhon ok kiss karlam and thot chepe dhorlam jate citkar karte na pare....and jore jore thap dite laglam

kisukkhan par o mja pete suru karlo and uh uh karte laglo
10min aivabe chudlam
er moddhe or 2 bar mal out hoi gese
ami takhon khate suilam and ok amar upar basiye 15 min er mato chodar par amar mal our hoibar purbei amar dhon ta or voda thaika ber kre fellam and amar mal gulo or duder upar fellam.......
O jakhon uthtecilo takhon dekhlam or voda rokte vore ase....

Aivabe kre ok oidin aro akbar chudlam tn o chole gelo

er par or sate amar aro onek bar sex hoisilo bt akn porjanta keu ter pay nai........

Bengali (Bangla) Erotic Story " English Teacher Ke Chudlam

College e amader english madam chilen. Jemon grammer poraten temni kotmot kore takaten. Amra moteo madam ke bhoi petam na, karon madam r soundourjo amaderke bhoi r chaiteo onek beshi arekta anubhuti dito. Sei onubhutita onnorokom.

Tokhon college e pori. Khub bhalo moto jani choda chodi ki jinish. Besh koyekbar abhiggotao hoye gese. Adamjee te chele meyer co-education, kintu meyegular emon chiri je prem korte ruchi hoi na. Tarchaite shundor shundor meyeder chobi dekhe khecha onek bhalo. Amader college r ditiyo din faria madam prothom class nite aslen. Pulapan to madam dhukar sathe sathe sish bajano shuru kore dilo. Madam to rege mege dong. Forsha tok toke madam r gayer rong. Tar upore rag korai pura lal hoye gese. Ja ekta dekhar moto drisso. Ami prothom diker bench e boshtam sob somoi. Madam ke dekhe tolpeter niche mochor dilo. Shala, ki jinish. Jemon boro boro dudh, temni bishal pasa. Shari porese khub kaida kore, nabhir kisuta upore, dhob dhobe sada pet dekha jasse sposto. Mone hoi chuye dei. Onek koste nijeke songboron kortam. Madam kisukkhon chup kore thaklen, tarpore shuru korlen, “ami college e pori na, college r porai. Ar amar emon boyosh nei je tomader sish bajano shune preme pore jabo. Kajei bhobissote emon kisu korbe na asha korsi.” Madam r kotha shune to amader matha faka hoye gelo, shali bole ki?

Jai hok, mathar bhitor tokhon faria madam. Lekha pora change gelo. Tachara college r first year e keo pore na. Amra tokhon college r pisone churi kore cigarette khetam ar icchamoto chapabaji kortam. Madamke kibhabe ki kora jai tai niye bhabtam. Aru ekdin bole, ei cholna madamke anurodh kori amader privata porate. Sofi bollo, sunesi madam naki kaoke porai na. Tui ektu onurodh kore dekh na. Oboseshe amar ghare dayitto chaplo. Ami ekdin tiffin r somoi teacher’s room r bire dariye asi. Madam tokhon golpo korse onno teacher der sathe. Amake dekhe chinte parlen. Nije thekei uthe aslen. “kisu bolbe?” Class e madam r sob prosner uttor ami thik motoi ditam, tachara madam jei chapter porabe ta age thekei pore astam, madam r chokhe hero howar jonno tokhon ami desparate chilam. Bollam, “madam, samne to porikkha ese gese, ami to engish e khub weak. Apni jodi ektu dekhiye diten.” Madam bollo, “ki ki problem amar kase niye eso, ami dekhiye dibo. Tachara tumi to besh bhaloi paro, kono somossa to dekhsi na.” Ami bollam, “na mane iye, apni jodi amader koijonke ektu somoi diten, amra tahole apnar basai giye pora buje nitam.” Ami amta amta kore bole dilam. Tokhon madam bollen, “ami je private porai na ta to tumi janoi. Ami ei jinishta like kori na, eita amader education system r ekta bhul.” Eisob bole onek lecture dilen. Amio nachorbandar moto request korei gelam. Tarpore madam bollen, thik ase ami tomake duidin pore janai.

Oboseshe protikkhar pala. Duidin pore madam r kase abar hajir holam. Madam bollo, madam r sashuri asustho, amra jodi beshi noise na kori tahole uni proti budhbar sondha choitar pore porate raji asen. Tobe eita kaoke janano jabe na, ar charjoner beshi porate parben na. Khoborta chaor hotei bondhumohole choto khato khondojuddho lege gelo. Ke hobe charjon. Keo kaoke chere kotha bole na. Ami jehetu madamke raji koraisi sehetu ami thakbo, aru prostab dise tai seo thakbe. Baki duijon niye mara mari lege gelo. Abosese toss kora holo, sofi bad porlo. Rajon ar saleh chance peye gelo. Amra budhbar sondhai madam r dewa address e pouse gelam. Madam thakto dokkhin kafruler ekta flat e. Unar husband army major. Amra jantam na unar posting ekhon khagrachori te. Basai sudhu madam r tar briddha sashuri. Sashuri khub asustho, tai madam unar take care koren. Ekta choto kajer meyeo ase fai formash khatar jonno. Amra madamer flat e hajir holam. Madam amader hasi mukhe bhitore dhukte bollen. Madamer porone salwar kamij. Madam kokhono salwar kamij pore class nen na. Aj unake ei dress e dekhe onnorokom lagsilo. Amra sobai drawing room e boshlam. Madamer matro ek set sofa. Kajei sobai ektu gada gad kore boshlam. Madam bollen, “english to khub shoja subject, etar jonno private porar ki dorkar?” Saleh bollo, na madam, amra english e oto bhalo na. Rajon bollo, madam amra pass korte parbo kintu bhalo number pete hole apnar sahajjo chara sombhob na. Aru o kisu ekta bollo. Ami tokhon chup chap boshe boshe madam ke archokhe dekhsi. Ki shundor ekta romoni. Ekdom nikhut. Hasle pore ki shundor sada sada dat gula dekha jai. Thik ase cholo shuru kora jak, eta bolei madam pora shuru korai dilo.

Porikkhar somoi hoye gese. Sobai dhumiye porse. First year final. College bondho hoye gese, onekdin madamer satheo dekha hoi na. Ami ekdin dupure madamer basai giye hajir holam. Bell bajatei kajer meyeta dorja khule dilo. Basai dhuke jante parlam madam r bhison jor. Tokohn notun virus jor choriyese. Ami kajer meyetake bollam madamke bolte je ami dekha korte esechi. Se bhitore giye madamke bollo, tarpore amake deke bhitore niye gelo. Ami bhitore gelam. Giye dekhi madam onek roga hoye gese. Dui soptaho pore madam ke dekhlam, mone hoi jeno koyek jug pore. Madamer sashurike nursing home e bhorti kora hoyese, karon madamer asukh, tini ekhon unar take care korte paren na. Kajer meyeta beshi choto kajei se ranna banao thik moto korte pare na. Khawa dawai boddo oniyom hocche. Sob sune amar khub kharap laglo. Ami madam r bisanar pashe ekta chair tene boshe madamer kopale hat rekhe jor dekhlam. Besh jor. R por tana chardin ami basha theke ammuke bole madamer jonno khawa baniye niye jetam tiffin career e kore ar madam r khub seba kortam. Jol potti diye ditam, jor maptam. Madam amake bollen, tumi amake madam madam koro na to, amake tumi fariya apu bole deko. Amio apuke peye khub khusi. Konodin madamke ebhabe chute parbo ta ashai kori ni. Madam ekdin bollen, doctor unake bolesen sponge koriye dite, kintu uni seta korte paren na. Ami eta shune ekta boro sponge r tukra kine niye aslam. Tarpore madamer premission niye seta thanda panite bhijiye aste aste unar kopale golai ghare bulate laglam.

Madamer nischoi aram lagsilo. Uni chokh bondho kore shopnge r thandata nicchilen. Amar sedin ki hoyesilo ami nijeo jani na. Golai ghare sponge korar pore ami aste aste niche neme aslam. Madam ekta nighty pore shuye chilen. Nightyr chowra khola ongsher bhitore aste kore foam ta chalan kore dilam. Madam ektu siure uthlen, kintu kisu bollen na. Amio peye boslam. Madamer shorire ekta patla chador bisano chilo, ami sei chadorer bhitore foam ta niye giye aste aste madamer hat, pa ar onabbrito ongogulo sponge korte laglam. Madamer nischoi khub aram lagsilo. Tini chokh bondho kore shuye chilen. Maje maje mit mit kore chokh khulesen, abar bondho korsen. Ami bollam, madam apnar puro body sponge kore dei? Madam kisui bollo na. Nirobotai sommotir lokkhon. Amar tokhon matha kharaper abostha. Ami aste aste nighty’r bhitore foam niye madamer pa sponge korte laglam. Madam tokhon kepe kepe uthsilen. Ami buje gelam ja korar ajkei korte hobe, ajkei suborno sujog. Pa sponge korar pore ami chadorta puropuri shoriye dilam. Tarpore nighty ta komor porjonto tule diye tol pete sponge korte laglam. Tokhon madam r kalo ronger panty ta chokhe porlo. Madamer dhob dhobe forsha pa, uru. Ami ar sojjo korte parsilam na. Bollam, madam puro shorir sponge korte hole to nighty khola lagbe, khule dei? Madam sommotr bhongite matha narlen.

Ar jai kotha, ami aste aste kore nighty ta khule fellam shorir theke. Madam pithi uchiye sahajjo korlen. Eibar amar samne madamer bra panty pora dhob dhobe forsh shorir. Jorer prokope lal lal chop ase koyek jaigai. Ami foam ta bhalo moto bhijiye niye madamer tol pet, pet buker upore aste aste foam bulate laglam. Madamer sex nischoi onek bere giyesilo, tini horny hoye giyesilen. Mukh dye ahha ahhhh jatiyo ekta chapa sobdo korsilen. Ami ebar aste aste unar buker upore foam ghurate laglam. Madam dekhi kisu bole na. Ar jai kothai. Ami aste kore bra r ta tene upore tule dilam. Bishal sizer duto dudh ekhon amar chokher samne. Eibar madam hotat chokhe khule fellen. Ei, ki korso? Unar mone hoi gan fire eseche. Ami bollam, madam sponge korsi, apni to bollen sponge korte. Doctor bolese sponge korle jor kombe. Madam abar chup kore gelo. Bujte parlam ar beshi somoi nei, ekhoni shalike chute hobe.

Ami aste aste sponge ta dudher upore bulate laglam. Dekhte dekhte badami nipple gula sokto hoye gelo. Ami dui angule diye ekta nipple dhore dudhta uchu kore tar chardike foam ta buliye nilam. Madam tokhon chokh buje aram nicche. Ami ar sojjo korte parlam na. Amar dhonta tokhon pant ar underwear r niche ekdom tan tan hoye ase, ritimoto fusche. Ami ek hate dan dudhta dhore tipte lagam, ar bam dudhe sponge bulate laglam. Madam kisu bolsen na, tobe unar mukher expression dekhe bujte parlam moja passen. Ami eibar foam ta pashe rekeh dui hate dudh tipte laglam. Tarpore mukhta ekta dudher upore niye giye nipple ta chuste laglam. Madamer shorir diye ki shundor gondho. Tar sathe ekta jor jor gondhow ase. Tobuo chushte bhalo lagsilo. Ki gorom madamer shorir. Jorer jonnoi hobe hoito.

Ami tokhon pagol hoye gesi, pisone takanor ar somoi nei. Ami bisanai uthe porlam. Dui hate madamaer dudh tipsi, thot diye chumu khassi madamer buke, ar maje maje nipple chuschi. Madam mukh diye ahh ahh sobdo korsen ar thotna thot dutor upore jibh bulassen. Ami ebar madamer golapi thot gulate chumu khelam. Madam chokh mele takalen. Eta ki korso? Eta thik na, eta onnai. Ami tomar teacher, tomar apu. Ami bollam, apu ami tomake anondo dissi. Tomar onekdin jor, keo tomake ador kore na. Tumi ektu ador nao. Ami thote chumu khete laglam, madam ar badha dilo na. Tinio amake chumu khacchilen. Gorom gorom thot. Tobe sadta beshi bhalo laglo na. Jehetu unake kora jorer asudh khete hote, tai unar mukhta kemon jeno bisadh. Ami ar besikkhon kiss korte parlam na. Bra ta puropuri khule fellam shorir theke.

Ekhon sudhu ekta panty pore asen tini. Ami aste aste panty tao khule fellam. Panty khulte giye bujlam unar gud puro bhije ase. Panty ta pa goliye khule fele dilam. Madam komor uchiye sahajjo korlo. Bujte parsi shalir choda khawar sokh jegese. Gud shave koreni bohudin. Kalo kalo bale cheye ase gud. Madamer balgulo besh lomba lomba ar kokrano. Onekdin gosol hoi ni, ekta buno gondho cherese. Ami nak niye gelam. Gondhe nesha dhore jai. Angul rakhlam bheja guder mukhe. Madamer shorirta kepe uthlo. Angulta aste aste bhitore dhukiye ditam. Ahhh, ki gorommmmmmmmm. Sathe sathe madam nore chore uthlo. Ami dan hater moddhomata bhitore chalan kore dilam. Guder mangshopeshi jeno amar angulta kamra kamre dhorse. Ektu fingering kortei baner joler moto rosh berote laglo. Puro gudta bhije uthese. Odike ami ek hate dudh tipsi ar gude somane angul diye thapassi. Madam shiore uthse, ar mukhe ahh uhh korse. Maje maje nijer nicher thotta jibh diye kamre dhorse.

Nah ar para jai na. Eibar amar chudtei hobe. Ami tara tari pant ta khule fellam. Underwear totokkhone chire jawar moto obostai chole giyesilo. Khultei tagra dhonta beriye aslo. Nijer dhonta niye ektu khellam. Madamer shorir bhalo nai noile ektu suck koriye nitam. Madamer pa duto fak kore guder mukhe dhonta set korlam. Aste aste guder mukhtate thatano barar mundita ghoste laglam. Madam kepe kepe uthsilo. Amar joss lagse. Aj kotodin pore chudbo, tao nijer madamke. Ar jai kotha, dhonta aste aste these dhukiye dite laglam guder bhitore. Fingering kore already gudta bhijiye rekhesilam, kajei dhonta bhitore dhukate beshi beg pete hoto na. Kintu dhonta bhitore dhuktei bujte parlam ejeno ogni kundo. Prochondo gorom. Sabhabik guder chaite ontoto doshgun beshi gorom. Amar dhoner chamra pure jabar abostha. Ami ei abosthai thapate laglam. Madamo komor uchiye shara dissilo. Ar mukhe shitkar kosilo. Bujte parsi shali moja passe. Kintu amar bhison kosto hocchilo. Ami bujte pari ni je guder bhitorta eto gorom hobe. Etar karon holo jorer tempareture. Guder rosh emnei gorom, tarpore abar madamer shorire eto beshi jor. Ami thikmoto chudte parsilam na. Aste aste thapate laglam, bhoi hocchilo goromer jonno na age bhage mal out hoye jai.

Thapate thapate madamer dudh niye khelsilam, pete kamor dilam du tinta. Thote kiss korlam. Khub iccha korsilo doggy style e chodar. Ami jokhon madamke niye shopno dekhtam tokhon dekhtam unake doggy style e chudsi. Kintu madam je poriman kahil hoye ase tate doggy style e choda sombhob na. Uporontu du hate madamke tene amar kole boshiye dilam, ar madamer komor dhore thapate laglam. Madamer matha ekbar edike dhole pore ekbar odike dhole pore. Bujte parshi uni moja passe. Ami aste aste thapassi, karon eto beshi gorom gud je ami besikkhon mal dhore rakhte parbona ta buje giyesi. Jokhon bujlam out hoye jabe, tokhon madamke abar shuiye pa gulo gharer upore tule nilam. Tarpore shuru korlam ram choda. Emon somoi madamer jol khoshlo. Puro gudtate jeno bonnar pani chutse, eto jol jibone kaoke khosate dekhini. Unar gud beye beye jol bisanai goriye porse. Amio ar rakhte parlam na. Koyekta mokkhom thap mere guder bhitorei mal out kore dilam. Dhonta gud theke ber kortei jol meshano ghono birjo beriye aslo gud theke.

Madamer jor onek bere gese. Ami gaye hat rekhe dekhi ritimoto agun jake bola jai. Uni ar kotha bolsen na, morar moto pore asen. Ami besh ghabre gelam. Tara tari unake nighty poriye mathai pani dhalte laglam. Aste aste sondhar dike jor kome ashlo. Tokhon madam chokh khullen. Amake dekhe kisu bolte chailen kintu bolte parlen na. Abar chokh bondho hoye gelo. Ami khub ghabre giyesilam. Ammuke phone kore bollam je madamer jor onek bere gese. Amar ammu doctor uncle ke phone kore dilen. Uni ese sobkisu dekhe ekta injection dilen, tarpore bollen rate unar sathe ekjon thake uchit. Ami basai phone kore permission niye nilam. Sara rat jege katiyesi. Madamer ekbaro gan ase ni. Pordin unar husband aslen khagrachori theke. Etodin chuti manage korte paren ni. Sob dekhe unio ghabre gelen. Tara tari hospital e newar babosta korlen. Amake onek dhonnobad dilen. Madam unake agei phone kore bolesilen je unar ek student unake onek seba jotno korse. Tai amake dekhe uni kisu mone koren ni.

Ami basa fire jore porlam. Amar exam dewa holo na. Madam r sathe dekhao holo na onekdin. Pore jokhon mashkhanek pore college e gelam tokhon jante parlam je madam sustho hoye gesen. Principal sir ke onurodh kore amar re-examr babosta koresen. Principal sir o amar onek prosongsha korlen. Madam abosso ar private poran ni, karon unar husband army theke transfer niye bdr r join korlen ar dhakatei thaka shuru korlen. Sediner ghotonata mone hoi madam jorer ghore dekha shopno bole mone korlen.

XXX Apartments 2 Teaching the teacher a lesson




Indian Sexy Story Cartoon Book Pdf Download

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 XXX Apartments 2  Teaching the teacher a lesson

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 XXX Apartments 3  Bridal Training for the New wife

 

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How To Tell If She's Interested? Choti

How can you tell if a woman is interested inyou? Answer quickly. So what gives?
Why am I asking you a trick question? Simple. Because I'm trying to make you THINK.
I'm sure that, just like me, you've read ahundred books and articles that say things
like: "If she tilts her head to one side and strokes herneck, that's a sign of interest..."
"If she licks her lips in a longing fashion, thatmeans she's interested in you..." "If she
laughs a lot, makes positive eye contact,and touches you often, then she likes you..." DUH!
I remember when I first read all this stuff. I thought to myself "Wow, cool! I must havebeen
missing these hints because I didn't know tolook for them. Now I'll know when a woman
isinterested in me..." Well, there was ONE SMALL problem... The problem is that women
display these MAJORINTEREST signals in about 1 of 100 interactionswith men... And there
was one BIG problem... That problem was that none of the damn books Iread said a single thing
about how to MAKE womengive you these signals. In other words, what I realized is that
averageguys like me who don't get "approached" by womenneed to learn not only WHAT to look
for, but, moreimportantly, how to actually CREATE ATTRACTION inwomen so they GAVE me these
signals in the FIRSTPLACE. So let me share with you some ideas on how toMAKE women feel
ATTRACTION for you... and thenI'll share some ideas on what to LOOK FOR to tellif a woman
is interested. And my ideas will be a WEEEEEE BIT differentthan the ones you read in your
flirting books. OK, so you're out at a bar with a few friends,and it's time to meet some
interesting women. You look around, and none of the hot youngbabes in there seem to be
tilting their heads toone side, looking you in the eye, and lickingtheir lips... so you
decide to DO SOMETHING. What do most guys do in this situation? Either: 1) Nothing, because
they're scared, or... 2) Something typical, like ask a girl to dance, orif he can buy her a
drink. If you're guilty of doing these, raise yourhand. Then take your raised hand, and slap
yourselfsilly. Not too hard. But silly. If I have your attention, and you're interestedin
becoming a MASTER of using Body Language tocreate ATTRACTION, then check this
out: http://www.DatingTechniques.com/e/10319/BodyLanguage/?cid=3ZAZZZ&lid=2 Here's
a thought for you... If you put 100 guys in a bar with one beautifulwoman sitting alone,
and you say to all 100 of theguys, "Hey guys, which one of you can walk over tothat woman
and do something to make that womanfeel a SEXUAL ATTRACTION for you?"... I'd say thatif you'
re LUCKY, one of them will claim that hecan do it. In other words, for most guys, the idea
ofwalking up to a girl they don't know and doingsomething that will TRIGGER an attraction
iscompletely outside of their universe. This is one of the reasons why guys do thingslike
asking girls to dance, buying them drinks,etc. Now, something you must understand when
itcomes to women and ATTRACTION is that women don'tfeel ATTRACTION for WUSSIES. ATTRACTION
isn't a CHOICE. It isn't logical (at least, on the surface). But once you start to "get it",
everythingchanges. Your entire perspective changes once you"get it", and your results change
instantly aswell. So here's something for you to try: MESS WITH WOMEN. That's right "mess with"
them. Tease. Bust on. Be difficult. Why? Because it INSTANTLY communicates that: 1) You could
care less what she thinks of you. 2) You're a fun person. 3) You're unpredictable. 4) You're a
bit of a "wild card" 5) You GET IT. Now, you might be shaking your head right nowand saying
"That doesn't make any sense. Why woulda woman feel attracted to me if I mess with herinstead
of being nice?". That's a good question. But for now, take the hand that you slappedyourself
with earlier, and slap yourself again. Good. I want you to STOP following your "be nice andkiss
ass" instincts when you first meet a woman,and instead practice MESSING WITH HER. Make fun of
something. Go to hand her something, then pull it away atthe last second. Shake your head in
despair and tell her thatshe's screwing up her chances with you. Say something Cocky & Funny,
then turn aroundand walk away before she can respond to your face. Can ya feel me, dog? Now
the good stuff... HOW TO TELL IF SHE'S INTERESTED Well, this is what you were looking for,
sohere it is... I'm going to give you a stupid-proof formulafor knowing whether or not a woman
is interestedin you. Here it is: 1) You engage her. 2) She engages you back. Yes, that's it.
Please stop the applause longenough that I can finish. You can clap later. I know that this
sounds a little "Duh-ish", butstay with me here. If I walk into a restaurant, and the
hostessasks me how many are in my party, and I answerwith, "Well, there are three of us.
I guess therewill be FOUR if YOU join us..." and she laughs atmy joke, then IT'S ON! If I'm
standing at the bar, and the woman nextto me bumps into my arm, and I turn and say, "Hey,watch
it, OK? Keep some space here, I need atleast a foot of room..." in a serious tone ofvoice...
and she starts playing along by smilingand moving away from me then back again playfully,then
IT'S ON! If I'm talking to a woman that I met at themagazine rack, and I ask her, "What's with
thathuge purse of yours? You got a dog in there orsomething?" and she starts laughing and
makingexcuses, then IT'S ON! In a nutshell, what I'm trying to say is: 1) Stop looking around
for signals from women thatthey're "interested" in you. 2) Stop CARING whether or not a
particular womanis interested in you. 3) Instead, start TRIGGERING the interest, andwatching
to see if women ENGAGE. If they do, thenassume that IT'S ON! As long as you use how she's
responding to whatYOU do as your gauge, then you'll have a MUCHeasier time spotting the
"she wants me" clues... ...Because YOU ARE THE ONE CAUSING THEM. And... ...and if you want
literally HUNDREDS andHUNDREDS of killer ideas for making women feelATTRACTION for you, then
go get a copy of myAdvanced Dating Techniques Program. This program will give you a
COMPLETEfoundation for overcoming fear, approaching women,getting dates, and taking things
to a "physical"level quickly... easily... and without rejection. I'm serious.

Bangladeshi Fucking housewife Number & Story

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SEX ADVICE Bengali

HELLO BD SEXPERT. CAN U ANS PLS.... Amr age 20. Gf'r sathe week a 2/1 bar sex hoy. Ami age pray 7/8 year regular hostho moithun korsi. Akhon bad disi. But problem is amar penis ta khub chikon r choto hoye gese. Stamania o 3/4 minute. Akhon ami ki korte pari? Valo hote jodi long time lage tobu o problem nai. Pls Dr. help me. Answer me here or sahriar_ahsan@yahoo.com. May allah be with u.

Pvl vai salam janben vai apnar kace ami akta kotha jante chai seti holo ami protidin sokale brush sere 5o gram kaca sana but bijia khai ate ki amar kono prokar somossa hobe ebong ai sana but sex ar kono upokar hobe kina ? Doya kore jodi amar uttarta den ta hole nijeke dhonno mone korbo

Helloooo!!everybody,l isten to me..jader kno prblm nai,sudu sudu akane post korben na...apnara oneke e onek kisu post koren,as a result jader sotti sotti sex r bepare prblm hoy tara kno ans pai na...tasara akjon sustho manuser pokkhe ato reply daya o somvob na....asa kori kothati kaje lage,amr pokkho theke request not advise..plz..THANK YOU.

akta mojar gotona.
amar office -a akjon lok ashto majhe majhe,golpo korto mobiler modde video sex dekhato
akdin o amar dhor -a hat lagalo , ami bollam oi beta hat lagash ken ? mukhe dukai dimuto.
se bollo okay deo,ami bollam amar roome cholo !
then 2jone roome gelam , ami langta hoa shua porlam r oi lokta amad dhon ta ke mukhe nia chushte laglo , ooooh aaaah ki je moja

prai 15-20 mins choshar por pani ber holo o pani ghulo mukhe nia ber hoa gelo.........ahahaha kije shanti pelam . thanks !!

Bangladeshi Actress Prova sex scandal -

It's sorrowful matter.I don't expect such kind of activity from any model.Must be give punishment her properly.never I wouldn't like to see such kind of model(Pron/nasty girl) in our country.

WOW. no word to express, but who leak this he is no a good man at all becuuse if wanted to leak this vedeo then he should have done before Prova's marriage. however, we enjoy to see this such beautiful ladies figue and having sex. I wish prova's married life should be distrub. May God help her.

hey its really fear for our bangladesh media world, because of the hottest model prova proved that she is a porn star & she was not born bangladeshi culture. Now she should go taan bazar polli.

Feeling very sorry for Mr. Apoubo and for his family. They must be so embarresed and disturbed for such kinda activities. Nothing to express about that girl but just wanted to say this is not expectful for our culture. If it was in the first world there would no problem but in our prospective this is so much shameful for us. If the girl really care about it.

Bangla Choti - āĻŦāϧু āϧāϰ্āώāύ

āĻļāĻĢিāĻ• āϰāϏুāϞāĻĒুāϰ āĻ—্āϰাāĻŽেāϰ āĻāĻ•āϜāύ āϏুāĻĒুāϰুāώ। āĻŦি⧟ে āĻ•āϰেāĻ›ে āĻŦেāĻļ āĻ…āύেāĻ•āĻŦāĻ›āϰ। āĻ›েāϞেāĻĒুāϞে āĻšā§Ÿāύি। āĻļāĻļুāϰ āĻŦা⧜ী āĻĒাāĻļেāϰ। āĻ—্āϰাāĻŽে। āĻāĻ•āχāĻŦāĻ‰ā§Ÿেāϰ āϏাāĻĨে āϘāϰ āĻ•āϰে āĻ•āϰে āϜীāĻŦāύāϟা āĻāĻ•āϘে⧟ে āĻšā§Ÿে āωāĻ েāϚāĻ›ে। āĻŽāύ āϚা⧟ āφāϰ āĻ•িāĻ›ু।āĻŽāύ āĻ•িāϝে āϚা⧟ āĻŦāϞ, āϝাāϰে āĻĻেāĻ–ি āϞাāĻ—ে āĻ­াāϞ... āĻāϰāĻ•āĻŽ.. āĻ•িāύ্āϤু āĻ•িāĻ›ু āĻ•āϰাāϰ āύেāχ।āĻŦি⧟ে āĻ•āϰেāĻ›ে āϤাāχ āĻŦāω āĻĨাāĻ•াāϤে āĻ•াāϰো āϏাāĻĨে āĻ•িāĻ›ু āĻ•āϰা āϏāĻŽ্āĻ­āĻŦ āύা। āϤাāϰ āωāĻĒāϰ āĻ—্āϰাāĻŽেāϤো āϏāĻŽ্āĻ­āĻŦāχ āύা। āĻ•াāωāĻ•ে āĻĒ্āϰেāĻŽ āύিāĻŦেāĻĻāύ āĻ•āϰāϤে āĻ—েāϞে āĻŦāϞে, āĻļāĻĢিāĻ• āĻ­াāχ āφāĻĒāύি āύা āĻŦিāĻŦাāĻšিāϤ। āĻŦি⧟ে āĻ•āϰāĻ“ āĻļāĻ– āĻŽেāϟেāύ। āϤাāĻ›া⧜া āĻŦāωāĻāϰ āĻĒাāĻšা⧜াāϤো āφāĻ›েāχ।āĻ—্āϰাāĻŽেāχ āĻļāĻĢিāĻ•েāϰāĻāĻ•āϟা āĻĒ্āϰাāĻ•্āϤāύ āĻĒ্āϰেāĻŽিāĻ•া āφāĻ›ে। āĻĒাāϰāĻ­িāύ। āĻĻেāĻ–āϤে āĻŦেāĻļ। āĻŦুāĻ•েāϰ āϏাāχāϜ āϝāĻĻিāĻ“ āĻāĻ•āϟু āĻ›োāϟ āϤāĻŦে āĻĄাāϏা āĻĄাāϏা। āĻ•āϤāĻŦাāϰ āĻŦāϰ্āώাāϰ āĻĻিāύে āĻĒāϞিāĻĨিāύ āĻŦ্āϝাāĻ—āĻĻি⧟ে āĻ•āύāĻĄāĻŽ āĻŦাāύি⧟ে āĻĒাāϰāĻ­িāύāĻ•ে āϚুāĻĻেāĻ›ে āĻ‡ā§ŸāϤ্āϤা āύেāχ। āϤাāĻ›া⧜া āĻļāĻšāϰ āφāϞীāϰ āĻŦāω। āĻļāĻšāϰ āφāϞী āĻĸাāĻ•া⧟ āϚাāĻ•āϰী āĻ•āϰাāϰ āϏুāĻŦাāĻĻে āϏāĻĒ্āϤাāĻšেāϰ āĻ›ā§Ÿ āĻĻিāύāχ āĻĸাāĻ•া⧟ āĻĨাāĻ•ে। āϏেāχ āϏুāϝোāĻ—ে āĻļāĻĢিāĻ• āĻĒ্āϰāϤিāϰাāϤে āϚুāĻĻāϤো āφāĻ›ি⧟া āĻŽাāύে āĻļāĻšāϰ āφāϞীāϰ āĻŦāωāĻ•ে। āĻāĻ•āĻĻিāύāϤো āϧāϰাāχ āĻĒāϰে āĻ—েāĻ›িāϞ āĻĒ্āϰা⧟। āĻ•োāύāĻŽāϤে āĻĻ⧜āϜাāϰ āĻ†ā§œাāϞে āϞুāĻ•ি⧟ে āϰāĻ•্āώা। āĻŽাāĻ—ি āĻāĻ•āϟা āĻŽাāϞāĻ“ āĻ›িāϞ āĻŦāϟে। āĻāϤ āϚুāĻĻāϤো āϤāĻŦুāĻ“ āϏাāϧ āĻŽিāϟāϤো āύা। āĻ•āύ্āϤু āĻ“āϏāĻŦ āĻāĻ–āύ āĻ…āϤিāϤ। āĻāĻ–āύ āĻĒ্āϰāϤিāϰাāϤে āĻ•েāĻŦāϞ āϏেāχ āĻĒুāϰোāύো āĻŦ্*āωāĻ•ে āϚোāĻĻা। āĻĒাāĻ ্āϝ āĻŦāĻ‡ā§Ÿেāϰ āĻŽāϤো। āĻāĻ•āχ āĻĒ⧜া āĻŦাāϰāĻŦাāϰ āĻĒ⧜া। āĻ—āϞ্āĻĒেāϰ āĻŦāĻ‡ā§Ÿেāϰ āĻŽāϤো āύāϤুāύ āύāϤুāύ āĻŦāχ āĻĒ⧜াāϰ āϏুāϝোāĻ— āφāϰ āĻšā§Ÿāύা।āĻŽাāĻে āĻŽাāĻে āĻ…āĻŦāĻļ্āϝ āĻŦāω āϝāĻ–āύ āĻŦাāĻĒেāϰ āĻŦা⧜ী āϝা⧟ āϤāĻ–āύ āϏুāϝোāĻ— āĻšā§Ÿ āĻ•িāύ্āϤু āϏāĻŽā§ŸāĻŽāϤো āĻĒ্āϰেāĻŽিāĻ•া āϝোāĻ—া⧜ āĻ•āϰাāĻ“āϤো āĻŽুāĻļāĻ•িāϞ। āĻ­া⧜াāϰ āĻŽাāϞ āĻ›া⧜া āωāĻĒা⧟ āύেāχ। āφāϰ āĻ­া⧜াāϰ āĻŽাāϞে āĻŽāϜা āύেāχ। āĻļāĻšāϰ āφāϞীāϰ āĻŦāω āĻ…āĻŦāĻļ্āϝ āĻāĻ–āύো āϚোāĻĻা āĻ–েāϤে āϚা⧟, āϤāĻŦে āĻļāĻĢিāĻ•েāϰ āĻ­াāϞ āϞাāĻ—েāύা। āĻŦু⧜ি āĻšā§Ÿে āĻ—েāĻ›ে āĻļাāϞী। āϝāĻĻিāĻ“ āĻ•āĻĨা⧟ āφāĻ›ে āĻ–েāϤে āĻ­াāϞ āĻŽু⧜ি āφāϰ āϚুāĻĻāϤে āĻ­াāϞ āĻŦু⧜ি।āϤāĻŦুāĻ“ āĻļাāϞি āĻŦোāϧāĻšā§Ÿ āĻāĻ–āύ āĻ…āύ্āϝ āĻ•াāωāĻ•ে āĻĻি⧟ে āϚোāĻĻা⧟। āĻĒাāϰāĻ­িāύেāϰāĻ“ āĻŦি⧟ে āĻšā§Ÿে āĻ—েāĻ›ে। āĻŽাāĻে āĻŽাāĻে āĻ—া⧟ে āĻāϞেāĻ“ āϏুāϝোāĻ— āĻšā§Ÿāύা āĻ•াāϰāĻŖ āĻšā§Ÿ āĻ“āϰ āĻŦāω āĻĨাāĻ•ে āĻ…āĻĨāĻŦা āĻĒাāϰāĻ­িāύেāϰ āϏ্āĻŦাāĻŽী। āĻŦ্āϝাāϟে āĻŦāϞে āĻŽিāϞ āĻšā§ŸāύাāĻ•āĻ–āύো।āĻ•āĻĻিāύ āĻšāϞ āĻļāĻĢিāĻ•েāϰ āĻŦāω āĻŦাāĻĒেāϰ āĻŦা⧜ি āĻ—েāĻ›ে।āĻĢিāϰāĻŦে āĻšā§ŸāϤো āφāϜ āĻ•াāϞেāϰ āĻŽāϧ্āϝে। āĻļāĻĢিāĻ• āύিāϜেāχ āĻĻি⧟ে āĻāϏেāĻ›ে। āĻļāĻĢিāĻ• āĻ—্āϰাāĻŽে āĻĢিāϰে āĻāϏে āĻĻেāĻ–ে āĻ“āϰ āĻĒ্āϰাāĻ•্āϤāύ āĻĒ্āϰেāĻŽিāĻ•া āĻŦা⧜ি āĻāϏেāĻ›ে। āĻļāĻĢিāĻ• āĻ—্āϰাāĻŽেāϰ āϰাāϏ্āϤা āĻĻি⧟ে āĻāĻ•া āĻāĻ•া āĻšেāϟে āϝাāϚ্āĻ›ে। āĻāĻŽāύ āϏāĻŽā§Ÿ āϚোāĻ–ে āĻĒāϰāϞো āĻĒাāϰāĻ­িāύ āĻ“āϰ āϏ্āĻŦাāĻŽীāϰ āϏাāĻĨে āĻŦা⧜ীāϤে āĻŦে⧜াāϤে āĻāϏেāĻ›ে। āĻāχ āĻŦাāϰ āĻŽāύে āĻšā§Ÿ āĻŦ্āϝাāϟে āĻŦāϞে āĻŽিāϞāϞো। āĻļāĻĢিāĻ•েāϰ āĻŦāω āĻ—েāĻ›ে āĻŦাāĻĒেāϰāĻŦা⧜ী, āĻ…āύ্āϝāĻĻিāĻ•ে āĻĒ্āϰাāĻ•্āϤāύ āĻĒ্āϰেāĻŽিāĻ•া āϜাāĻŽাāχāĻŦা⧜ী āĻĨেāĻ•ে āĻŦা⧜ী āĻāϏেāĻ›ে āĻŦে⧜াāϤে। āĻ…āύেāĻ•āĻĻিāύ āĻĒāϰ āĻļāĻĢিāĻ• āĻŦāωāĻ›া⧜া āĻ…āύ্āϝāĻ•াāωāĻ•ে āϚোāĻĻাāϰ āϏ্āĻŦāĻĒ্āύāĻĻেāĻ–ে। āĻŦেāĻļ āĻ•ā§ŸেāĻ•āĻĻিāύ āϚāϞে āĻ—েāϞ,āĻĒাāϰāĻ­িāύেāϰ āϏাāĻĨে āĻļāĻĢিāĻ• āĻĻেāĻ–া  āĻ•āϰāϤে āĻĒাāϰāĻ›েāύা। āĻ“ āϘāϰেāϰ āĻ­িāϤāϰেāχ āĻĨাāĻ•ে āĻŦেāĻļিāĻ•্āώāĻŖ। āĻ•ি āĻ•āϰāĻŦে āĻ­েāĻŦে āĻĒাāϚ্āĻ›েāύা।āĻļেāώে āĻŽাāĻ› āϧāϰাāϰ āύাāĻŽ āĻ•āϰে  āĻ­āϰāĻĻুāĻĒুāϰে āĻĒাāϰāĻ­িāύāĻĻেāϰ āĻŦা⧜ীāϰ āĻĒেāĻ›āύে āĻāĻ•āϟা āĻŽāϜাāĻĄোāĻŦা  āĻĒুāĻ•ুāϰ āφāĻ›ে āϤাāϰ āĻŽāϧ্āϝে āϜাāϞ āĻĢেāϞে āĻŽাāĻ› āϧāϰāϤে āϚāϞে āĻ—েāϞ। āϤāĻ–āύāĻŦা⧜ীāϰ āϏāĻŦাāχ āĻ–ে⧟ে āĻĻে⧟ে āϘুāĻŽোāϤে āĻ—েāĻ›ে।āĻ…āϞāϏ āĻāĻ•āϟা āϏāĻŽā§Ÿ। āĻāϰāĻ•āĻŽ āϏāĻŽā§Ÿ āϏাāϧাāϰāĻŖāϤ āĻ•েāω āĻŦাāχāϰে āĻĨাāĻ•েāύা āĻļুāϧু āĻļāĻĢিāĻ•েāϰ  āĻŽāϤো āϏুāϝোāĻ—āϏāύ্āϧাāύীāϰা āĻ›া⧜া।āĻŦা⧜ীāϰ āĻĒেāĻ›āύে āĻĒাāϰāĻ­িāύেāϰ āϘāϰেāϰ  āϜāύাāϞা āĻĻি⧟ে āĻĒুāĻ•ুāϰেāϰ āϘাāϟেāϰ āĻ…āύেāĻ•āϟা āĻ…ংāĻļ āĻĒāϰিāϏ্āĻ•াāϰ āĻĻেāĻ–া āϝা⧟  āĻĒাāϰāĻ­িāύেāϰ āĻŦা⧜িāϰ āĻĒেāĻ›āύেāϰ āĻĒুāĻ•ুāϰāϘাāϟে āĻļāĻĢিāĻ• āϜাāϞ āύি⧟ে āϏে āφāĻ›ে। āĻāĻ–াāύে āĻ“ āφāĻ—েāĻ“ āĻŦāϏে āĻĨাāĻ•āϤো। āϝāĻ–āύ āĻĒাāϰāĻ­িāύেāϰ āĻŦি⧟ে āĻšā§Ÿāύি। āĻšাāϟু āĻĒাāύিāϤে āύেāĻŽে āϞুংāĻ—ি āĻšাāϟুāϰ āĻ“āĻĒāϰে āϤুāϞāϤে āϤুāϞāϤে āϧāύ āĻĻেāĻ–ি⧟ে āĻĻিāϤ āĻĒাāϰāĻ­িāύāĻ•ে। āϏেāχ āϧāύ āĻĻেāĻ–েāχāϤো āĻĒাāϰāĻ­িāύ āĻļāĻĢিāĻ•েāϰ āϚোāĻĻা āĻ–াāĻŦাāϰ āϜāύ্āϝ āĻ…āϏ্āĻĨিāϰ āĻšā§ŸেāĻ›িāϞ।āĻ িāĻ• āϏেāϰāĻ•āĻŽ āĻ•āϰে āφāϜāĻ“ āϏে āĻĒাāϰāĻ­িāύেāϰ āĻĻৃāώ্āϟি āφāĻ•āϰ্āώāĻŖ āĻ•āϰাāϰ āϚিāύ্āϤা āĻ•āϰেāĻ›িāϞ। āĻ•িāύ্āϤু āĻĒাāϰāĻ­িāύেāϰ āϘāϰেāϰ āϜাāύাāϞা āĻŦāύ্āϧ। āĻŽāύেāĻšā§Ÿ āĻ–ে⧟েāĻĻে⧟ে āϏ্āĻŦাāĻŽীāϰ āϏাāĻĨে āϘুāĻŽি⧟ে āφāĻ›ে। āĻļāĻĢিāĻ• āφāĻļাāĻšāϤ āĻšāϞ। āĻ িāĻ• āϤāĻ–āύি āĻĒাāϰāĻ­িāύেāϰ āϘāϰেāϰ āϜাāύাāϞা āĻ–োāϞাāϰ āĻļāĻŦ্āĻĻ āĻĒেāϞ। āĻš্āϝা āĻĒাāϰāĻ­িāύāχ। āϜাāύাāϞা āĻĻি⧟ে āĻ•ি āϝেāύ āĻĢেāϞāϞো। āĻŽā§ŸāϞা āĻ•াāĻ—āϜ āϜাāϤী⧟ āĻ•িāĻ›ু। āϤāĻ–āύি āĻļāĻĢিāĻ•েāϰ āϏাāĻĨে āϚোāĻ–াāϚোāĻ–ি। āĻļāĻĢিāĻ• āĻĒাāϰāĻ­িāύেāϰ āĻĻিāĻ•ে āϤাāĻ•ি⧟ে āϜোāϰে āϜাāϞ āĻ›ু⧜āϞো। āϚোāĻ– āχāĻļাāϰা⧟ āĻĒাāϰāĻ­িāύāĻ•ে āφāϏāϤে āĻŦāϞāϞো। āĻĒাāϰāĻ­িāύ āϘāϰি āĻĻেāĻ–ি⧟ে āĻŦোāĻাāϤে āϚাāχāϞ āĻ•āĻ–āύ। āĻļāĻĢিāĻ• āĻĻুāχ āĻšাāϤেāϰ āĻĻāĻļ āφংāĻ—ুāϞ āĻĻেāĻ–াāϞো, āĻŽাāύে āϰাāϤ āύ⧟āϟা⧟। āĻ—্āϰাāĻŽে āύ⧟āϟা āĻ…āύেāĻ• āϰাāϤ।āĻŦি⧟েāϰ āφāĻ—ে āϝāĻ–āύ āĻĒাāϰāĻ­িāύেāϰ āϏাāĻĨে āĻĒ্āϰেāĻŽ āĻ›িāϞ āϤāĻ–āύ āĻ াāĻ•ুāϰāĻĻেāϰ āφāĻŽāĻŦাāĻ—াāύেāχ āĻ“āϰা āĻĻেāĻ–া āĻ•āϰāϤো। āφāϜāĻ“ āĻĒাāϰāĻ­িāύ āĻāĻ–াāύেāχ āĻāϏেāĻ›ে। āĻ āϝেāύ āĻ…āϞিāĻ–িāϤ āϚুāĻ•্āϤি, āĻļāĻĢিāĻ• āĻĄাāĻ•āϞে āĻĒাāϰāĻ­িāύ āϐ āĻŦ⧜ āφāĻŽāĻ—াāĻ›āϟাāϰ āύিāϚে āĻāϏে āĻĻা⧜াāĻŦে। āĻ…āύেāĻ•āĻĻিāύ āĻĒāϰ āĻļāĻĢিāĻ•āĻ•ে āĻĻেāĻ–ে āĻļāĻ•্āϤ āĻ•āϰে āϜ⧜ি⧟ে āϧāϰে āĻĒাāϰāĻ­িāύ। āĻ“āϰ āĻŦুāĻ• āĻļāĻĢিāĻ•েāϰ āĻŦুāĻ•েāϰ āĻŽāϧ্āϝে āϞেāĻĒ্āϟে āϝা⧟। āĻļāĻĢিāĻ•āĻ“ āφāϰো āϜোāϰে āϚেāĻĒে āϧāϰে āĻĒাāϰāĻ­িāύāĻ•ে। āϤোāĻŽাāϰ āϜাāĻŽাāχ āϚāϞে āĻ—েāĻ›ে? āĻšুāĻŽ। āĻļāĻļুāϰ āĻŦা⧜ী āĻāϞ, āĻĨাāĻ•āϞোāύা। āĻĻুāĻĒুāϰ āĻŦেāϞা āϤোāĻŽাāĻ•ে āĻĻেāĻ–ে, āφāĻŽিāχ āϝেāϤে āĻŦāϞāϞাāĻŽ। āĻŦāϞāϞাāĻŽ- āϤোāĻŽাāϰ āĻŦ্āϝāĻŦāϏাāϰ āĻ•্āώāϤি āĻšāĻŦে, āϤুāĻŽি āϚāϞে āϝাāĻ“, āĻĢিāϰি⧟ে āύেāĻŦাāϰ āϏāĻŽā§Ÿ āĻ•āĻĻিāύ āĻĨেāĻ•ে āϝেāĻ“। āϤোāĻŽাāϰ āĻŦāω āĻ•āχ? āĻŦাāĻĒেāϰ āĻŦা⧜ী। āĻ“ āϤাāχ āϤুāĻŽি āφāϜ āφāĻŽাāĻ•ে āĻĄাāĻ•āϞে। āĻšুāĻŽ। āĻļāĻĢিāĻ• āĻĒাāϰāĻ­িāύেāϰ āϘাāϰে āϚুāĻŽু āĻ–া⧟। āĻĒাāϰāĻ­িāύ āĻŽুāϚ⧜ি⧟ে āĻ“āĻ ে। āφāĻš্ āĻ•āϤāĻĻিāύ āϤোāĻŽাāϰ āφāĻĻāϰ āĻ–াāχāύা। āĻļāĻĢিāĻ• āĻĒাāϰāĻ­িāύেāϰ āĻ āϟে āϚুāĻŽু āĻ–া⧟ āĻāĻ•āϟা āĻ োāϟ āϚুāώāϤে āϚুāώāϤে āϞাāϞ āĻ•āϰে āĻĢেāϞে। āĻĒাāϰāĻ­িāύāĻ“ āĻļāĻĢিāĻ•েāϰ āĻāĻ•āϟা āĻ োāϟ āϚুāώāϤে āĻĨাāĻ•ে āĻ…āύāĻŦāϰāϤ, āĻ…āύেāĻ•্āώāĻŖ। āĻļāĻĢিāĻ• āĻĒাāϰāĻ­িāύেāϰ āĻ•াāĻŽিāϜেāϰ āύিāϚ āĻĻি⧟ে āĻšাāϤ āĻĻি⧟ে āĻŦ্āϰাāϰ āĻšুāĻ• āĻ–োāϞাāϰ āϚেāώ্āϟা āĻ•āϰে। āĻĒাāϰāĻ­িāύ āϤা āĻŦুāĻāϤে āĻĒেāϰে āύিāϜেāχ āĻšুāĻ•āϟা āĻ–ুāϞে, āĻ•িāĻ­াāĻŦে āϝেāύ āϜাāĻŽা āύা āĻ–ুāϞেāχ āĻšাāϤেāϰ āĻ­িāϤāϰ āĻĻি⧟ে āĻŦ্āϰাāϟা āĻŦেāϰ āĻ•āϰে āφāύে। āĻĒাāϰāĻ­িāύ āĻāĻ–āύ āĻļুāϧু āĻŦ্āϰা āĻŦিāĻšীāύ āĻ•াāĻŽিāϜ āĻĒ⧜া। āĻ“āϰ āĻŦুāĻ•েāϰ āĻ“āĻĒāϰ āĻ েāϏে āĻĨাāĻ•া āĻĻুāϧāĻĻুāϟো āϝেāύ āĻĢেāϟে āĻĒāϰāĻŦে āĻ•াāĻŽিāϜেāϰ āĻ­েāϤāϰ āĻĻি⧟ে। āĻļāĻĢিāĻ• āĻŦ্āϰাāϟা āφāĻŽāĻ—াāĻ›েāϰ āĻĄাāϞে āĻুāϞি⧟ে āϰেāĻ–ে āĻŦāϞে āĻāϟা āφāĻŦাāϰ āĻĒ⧜ে āφāϏাāϰ āĻ•ি āĻĻāϰāĻ•াāϰ āĻ›িāϞ ? āĻ­ুāϞে āĻĒ⧜ে āĻāϏেāĻ›ি। āĻļāĻĢিāĻ• āĻĒাāϰāĻ­িāύেāϰ āĻ•াāĻŽিāϜেāϰ āϏাāĻŽāύেāϰ āĻ…ংāĻļ āĻŦুāĻ•েāϰ āĻ“āĻĒāϰ āĻ—āϞা āĻĒāϰ্āϝāύ্āϤ āωāĻ ি⧟ে āĻĢেāϞে। āĻĒাāϰāĻ­িāύেāϰ āĻŦāϤ্āϰিāĻļ āĻŦুāĻ• āĻĻুāϟো āϞাāĻĢি⧟ে āĻ“āĻ ে।āĻ…āĻŽাāĻŦāĻļ্āϝাāϰ āϘুāϟāϘুāϟে āĻ…āύ্āϧāĻ•াāϰ āϤāĻŦুāĻ“ āφāĻŦāĻ›া āĻĻেāĻ–া āϝাāϚ্āĻ›ে āĻĢāϰ্āϏা āĻŦুāĻ•েāϰ āĻŽাāĻāĻ–াāύে āĻŦাāĻĻাāĻŽি āϰংāĻāϰ āĻāϰোāϞা, āφāϰ āĻŦোāϟা āĻĻুāϟো āϝেāύ āĻĻুāϟো āĻŦৃāϤ্āϤেāϰ āĻ•েāύ্āĻĻ্āϰ। āĻļāĻĢিāĻ• āĻŦুāϤ্āϤেāϰ āĻ•েāύ্āĻĻ্āϰে āĻŽāύোāύিāĻŦেāĻļ āĻ•āϰে। āĻŦাāĻŽ āĻ•েāύ্āĻĻ্āϰে āϜ্āĻšিāĻŦা āĻĻি⧟ে āϚেāϟে āĻĻে⧟ āĻāĻ•āϟু, āϤাāϰāĻĒāϰ āĻĒুāϰোāϟা āĻŽুāĻ–ে āύি⧟ে āĻļিāĻļুāϰ āĻŽāϤো āϚুāώāϤে āĻĨাāĻ•ে। āĻāĻŦাāϰ āĻĄাāύāĻĻিāĻ•েāϰāϟা āĻāĻ•āχāϰāĻ•āĻŽāĻ­াāĻŦে āϚাāϟāϤে āφāϰ āϚুāώāϤে āĻļুāϰু āĻ•āϰāϞো। āĻĒাāϰāĻ­িāύ āϤৃāĻĒ্āϤিāϰ āĻļāĻŦ্āĻĻ āĻ•āϰāĻ›ে āφāĻš্ āωāĻš্ āĻ“āĻš্ āφāϰ āĻŽাāĻে āĻŽাāĻে āωāϤ্āϤেāϜāύা⧟ āĻļāĻĢিāĻ•েāϰ āĻŽাāĻĨাāϰ āĻĒেāĻ›āύেāϰ āĻĻিāĻ•েāϰ āϚুāϞ āϧāϰে āĻ েāϏে āϧāϰāĻ›ে। āϤāϤāĻ•্āώāĻŖে āĻļāĻĢিāĻ•েāϰ āϧāύ āĻ–া⧜া āĻšā§Ÿে āĻ–াāĻŽ্āĻŦা āĻšā§Ÿে āĻ—েāĻ›ে। āĻĒাāϰāĻ­িāύ āϤা āĻŦুāĻāϤে āĻĒেāϰে āĻāĻ•āĻšাāϤে āĻļāĻĢিāĻ•েāϰ āϞুংāĻ—িāϰ āĻ­েāϤāϰ āĻĻি⧟ে āφāϞāϤো āĻ•āϰে āĻļāĻĢিāĻ•েāϰ āϧāύে āĻšাāϤ āĻĻে⧟। āĻĒাāϰāĻ­িāύেāϰ āύāϰāĻŽ āĻšাāϤেāϰ āϏ্āĻĒāϰ্āώ āĻĒে⧟ে āĻ“āϟা āφāϰো āϝেāύ āωāϤ্āϤেāϜিāϤ āĻšā§Ÿে āĻ“āĻ ে। āĻļāĻĢিāĻ• āĻāĻŦাāϰ āĻĻুāϧ āϚাāϟা āĻŦāύ্āϧ āĻ•āϰে āĻĒা⧟āϜাāĻŽাāϰ āĻ“āĻĒāϰ āĻĻি⧟েāχ āĻĒাāϰāĻ­িāύেāϰ āĻ—ুāĻĻে āĻšাāϤ āĻĻে⧟। āĻŽাāĻেāϰ āφংāĻ—ুāϞ āĻĻি⧟ে āϘāώāϤে āĻĨাāĻ•ে āĻĒেāĻ›āύ āĻĨেāĻ•ে āϏাāĻŽāύেāϰ āĻĻিāĻ•ে। āĻĒাāϰāĻ­িāύ āωāϤ্āϤেāϜāύা⧟ āĻļāĻĢিāĻ•েāϰ āϧāύāϟা āϜোāϰে āϚেāĻĒে āϧāϰে। āϏাāĻŽāύে āĻĒিāĻ›āύে āĻ•āϰে āφāϰāĻ“ āĻļāĻ•্āϤ āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰে। āϤাāϰāĻĒāϰ āĻŽাāϟিāϤে āĻŦāϏে āϧāύāϟা āĻŽুāĻ–ে āĻĒুāϰে āĻĻে⧟। āĻļāĻĢিāĻ•েāϰ āϧāύāϟা āĻ…āύেāĻ• āĻŦ⧜। āĻĒাāϰāĻ­িāύেāϰ āϏ্āĻŦাāĻŽীāϰ āϧāύেāϰ āϚে⧟ে āĻĒ্āϰা⧟ āĻĻে⧜āĻ—ুāĻŖ। āĻĒাāϰāĻ­িāύ āĻ­েāĻŦেāĻ›িāϞ āϏāĻŦ āĻ›েāϞেāĻĻেāϰ āϧāύ āĻŦোāϧāĻšā§Ÿ āĻāϰāĻ•āĻŽāχ āĻšā§Ÿ। āĻ•িāύ্āϤু āĻŦি⧟েāϰ āĻĒāϰ āϏ্āĻŦাāĻŽীāϰ āϧāύেāϰ āĻĻুāϰāĻŦāϏ্āĻĨা āĻĻেāĻ–ে āĻŦুāĻāϤে āĻĒাāϰāϞো āĻ“ āĻ•ি āϜিāύিāϏ āĻšাāϰি⧟েāĻ›ে। āϤাāχāϤো āĻĒ্āϰāϤিāĻĻিāύ āϰাāϤে āϚোāĻĻা āĻ–াāĻŦাāϰ āĻĒāϰ āĻ“āϰ āĻ•াāύ্āύা āĻĒা⧟। āĻ“āϰ āϏ্āĻŦাāĻŽী āĻ­াāĻŦে āĻšā§ŸāϤো āĻ…āύেāĻ• āĻ­াāϞ āϚুāĻĻেāĻ›ে, āĻŦ্āϝাāĻĨা āĻĒে⧟ে āĻ•াāĻĻāĻ›ে। āĻāϏāĻŦ āĻ­াāĻŦāϤে āĻ­াāĻŦāϤে āĻĒাāϰāĻ­িāύ āĻļāĻĢিāĻ•েāϰ āϧāύ āϚুāώāϤে āĻĨাāĻ•ে।āφāĻŦāĻ›া āφāϞো⧟ āϧāύāϟা āĻĻেāĻ–ে āĻ“āϰ āĻ—ুāĻĻেāϰ āϰāϏ āĻā§œāϤে āĻĨাāĻ•। āĻĒাāϰāĻ­িāύ āĻāĻŦাāϰ āύিāϜেāχ āĻĒা⧟āϜাāĻŽা āĻ–ুāϞে āĻ—াāĻ›েāϰ āĻĄাāϞে āϰেāĻ–ে āĻ—াāĻ›েāϰ āĻļেāĻ•ā§œেāϰ āĻ“āĻĒāϰে āĻŦāϏে āĻĻুāχ āĻĒা āĻĢাāĻ•া āĻ•āϰে āĻ—ুāĻĻেāϰ āĻŽুāĻ–āϟা āĻ–ুāϞে āĻļāĻĢিāĻ•āĻ•ে āĻŦāϞে āĻĻাāĻ“ āϤা⧜াāϤা⧜ি āĻ•্āώুāĻĻাāϰ্āϤāĻ•ে āĻ–াāĻĻ্āϝ āĻĻাāĻ“। āĻļāĻĢিāĻ• āĻŽাāϟিāϤে āĻšাāϟু āĻ—ে⧜ে āĻŦāϏে āĻĒাāϰāĻ­িāύেāϰ āĻ—ুāĻĻেāϰ āĻŽুāĻ–ে āϧāύেāϰ āĻŽাāĻĨাāϟা āĻ•ā§ŸেāĻ•āĻŦাāϰ āϘāϏে। āĻĒাāϰāĻ­িāύ āωāϤ্āϤেāϜāύা⧟ āĻļিāĻ‰ā§œে āĻ“āĻ ে.. āφāĻš্ āĻĻাāĻ“ āĻĻাāφāĻ“.. āϤা⧜াāϤা⧜ি āφ āφ āφāĻš্ ... āĻļāĻĢিāĻ• āĻāĻ• āϧাāĻ•্āĻ•া⧟ āĻ…āϰ্āϧেāĻ•āϟা āϧāύ āĻĸুāĻ•ি⧟ে āĻĻে⧟। āφāĻŦাāϰ āĻŦেāϰ āĻ•āϰে āĻĻ্āĻŦিāϤী⧟ āϧাāĻ•্āĻ•া⧟ āĻĒুāϰোāϟা āĻĸুāĻ•ি⧟ে āĻĻে⧟। āĻ…āύেāĻ•āĻĻিāύ āĻĒāϰ āĻĒাāϰāĻ­িāύ āĻāϤ āĻŦ⧜ āϧāύ āĻ—ুāĻĻে āύিāϞ। āĻ“āϰ āĻ—ুāĻĻেāϰ āĻĻে⧟াāϞ āĻ›িāϞে āĻ›িāϞে āϝাāϚ্āĻ›িāϞ āĻĒিāĻ  āĻ›িāϞে āϝাāϚ্āĻ›িāϞ āĻ—াāĻ›েāϰ āĻļেāĻ•ā§œেāϰ āϏাāĻĨে āϞেāĻ—ে। āĻ•িāύ্āϤু āϏেāĻĻিāĻ•ে āĻ•োāύ āĻ–ে⧟াāϞ āύেāχ āĻ“āϰ। āĻāϤāĻŦ⧜ āϧāύ āĻ—ুāĻĻে āĻ­āϰাāϰ āϏুāĻ–েāϰ āĻ•াāĻ›ে āĻāχ āĻ•āώ্āϟ āĻŽāύে āĻ•োāύ āĻĻাāĻ—āχ āĻ•াāϟেāύা। āĻŦেāĻļ āĻ•িāĻ›ুāĻĻিāύ āĻŦāω āĻļāĻļুāϰ āĻŦা⧜ী āĻĨাāĻ•াāϤে āĻļāĻĢিāĻ•েāϰ āĻŽাāϞে āĻ­āϰা āϧāύāϟা āĻ…āύেāĻ• āĻļāĻ•্āϤ āĻšāĻ“ā§ŸাāϤে āĻļāĻĢিāĻ•āĻ“ āϚুāĻĻে āĻ–ুāĻŦ āĻŽāϜা āĻĒাāϚ্āĻ›িāϞ। āĻ•িāύ্āϤু āϏāĻŽāϏ্āϝা āĻšāϞো āĻ…āύেāĻ•āĻĻিāύ āĻĒāϰ āĻŽাāϞে āĻ­āϰা āϧāύ āĻĻি⧟ে āĻŦেāĻļিāĻ•্āώāύ āϚোāĻĻা āϝা⧟āύা। āĻŦাāϰāĻŦাāϰ āĻŽাāϞ āĻŦেāϰি⧟ে āφāϏāϤে āϚা⧟। āĻļāĻĢিāĻ•েāϰāĻ“ āϏে āĻ…āĻŦāϏ্āĻĨাāχ āĻšāϚ্āĻ›ে। āĻŽাāϞ āĻĒ্āϰা⧟ āϝāĻ–āύ āĻŦেāϰি⧟ে āφāϏāĻ›ে āϤāĻ–āύ āĻļāĻĢিāĻ• āĻĒাāϰāĻŦিāύেāϰ āĻĻুāϧāĻĻুāϟো āĻāϤāχ āϜোāϰে āϚেāĻĒে āϧāϰāϞো āφāϰ āĻ াāĻĒাāύেāϰ āϏ্āĻĒিāĻĄ āĻāϤāχ āϜোāϰে āĻ›িāϞ āϝে āĻĒাāϰāĻ­িāύ āύিāϜেāϰ āĻ—āϞাāϰ āϏ্āĻŦāϰ āφāϰ āύিāϚু āϰাāĻ–āϤে āĻĒাāϰāϞো āύা। āφ...āφ... āφ... āĻ•āϰে āĻļāĻŦ্āĻĻ āĻ•āϰে āωāĻ āϞো āφāϰ āĻļāĻĢিāĻ• āϧāύেāϰ āĻĒাāύি āĻĻি⧟ে āĻ­āϰি⧟ে āĻĻিāϞ āĻĒাāϰāĻ­িāύেāϰ āĻ›োāϟ্āϟ āϜāϞেāϰ āϟাংāĻ•িāϟা... āϤāϤāĻ•্āώāĻŖে āĻĒেāϰি⧟ে āĻ—েāϞ āĻĒāύেāϰāϟি āĻŽিāύিāϟ। āĻĒাāϰāĻ­িāύেāϰ āĻ—āϞাāϰ āϏ্āĻŦāϰ āĻļুāύে āĻ াāĻ•ুāϰ āĻŽāĻļাāχ āĻ­াāĻŦāϞেāύ āφāĻŽāĻŦাāĻ—াāύে āĻŦোāϧāĻšā§Ÿ āϚোāϰ āĻāϏেāĻ›ে। āϤিāύি āĻšাāĻ• āĻ›া⧜āϞেāύ... āĻŦাāĻ—াāύে āĻ•ে āϰে.... āĻĒাāϰāĻ­িāύ āĻĒāϰি āĻ•ি āĻŽāϰি āĻ•āϰে āĻĻৌ⧜ āĻĻিāϤে āϚাāχāϞ āĻ•িāύ্āϤু āĻļāĻĢিāĻ• āĻŽাāĻĨা āĻ াāύ্āĻĄা āϰেāĻ–ে āĻĒাāϰāĻ­িāύāĻ•ে āĻŦāϞāϞো āϚāϞ āĻĻুāϜāύ āĻĻুāĻĻিāĻ•ে āϝাāχ।āĻļāĻĢিāĻ• āϝেāĻĻিāĻ•ে āĻ—েāϞ, āĻļাāϞা āĻŦু⧜ো āϏেāχāĻĻিāĻ•েāχ āĻāϞ। āĻ…āĻŦāϏ্āĻĨা āĻŦেāĻ—āϤিāĻ• āĻĻেāĻ–ে āĻļāĻĢিāĻ• āĻāĻ•āϟা āϘāύ āĻĒাāϤাāĻ“ā§ŸাāϞা āĻ—াāĻ›ে āϚ⧜ে āĻŦāϏāϞো। āĻŦু⧜োāĻāĻĻিāĻ• āϏেāĻĻিāĻ• āĻĻেāĻ–ে āϘāϰেāϰ āĻĻিāĻ•ে āĻ—েāϞো। āĻļāĻĢিāĻ• āĻŦেāĻļ āĻ•িāĻ›ুāĻ•্āώāύ āĻ—াāĻ›েāϰ āĻ“āĻĒāϰেāχ āĻŦāϏে āϰāχāϞ। āĻ•াāϰāĻŖ āĻŦāϞা āϝা⧟ āύা, āĻŦু⧜ো āφāĻŦাāϰ āϚোāϰ āϧāϰাāϰ āϜāύ্āϝ āĻ…āύেāĻ• āϏāĻŽā§Ÿ āϘাāĻĒāϟি āĻŽেāϰে āĻ•োāĻĨাāĻ“ āĻŦāϏে āĻĨাāĻ•ে। āĻ•িāĻ›ুāĻ•্āώāύ āĻĒāϰ āĻšāĻ াāϤ āĻļāĻĢিāĻ• āĻĻুāϜāύ āύāϰ āύাāϰীāϰ āĻĢিāϏāĻĢিāϏ āĻ•āύ্āĻ  āĻļুāύāϤে āĻĒেāϞ। āĻšিāϏ্ āφāϏ, āĻ“āχ āĻ—াāĻ›āϟাāϰ āύিāϚে.... āĻļāĻĢিāĻ• āϝে āĻ—াāĻ›āϟাāϰ āĻ“āĻĒāϰে āĻ›িāϞ āϏে āĻ—াāĻ›েāϰ āύিāϚেāχ āĻĻুāϟো āύāϰāύাāϰী āĻĻা⧜ি⧟ে āĻĻা⧜ি⧟ে āϚোāĻĻাāϚুāĻĻিāϤে āĻŦ্āϝāϏ্āϤ āĻšā§Ÿে āĻĒāϰāϞো। āĻ…āĻŽাāĻŦāĻļ্āϝা, āφāĻŦāĻ›া āύ⧜াāϚāϰা āφāϰ āĻ“āĻš্ āφāĻš্ āĻ•িāϝে āĻŽāϜা āĻ“āĻŽাāĻ—ো āĻŽāϰে āϝাāĻŦ āĻāϰāĻ•āĻŽ āĻĢিāϏāĻĢিāϏ āĻ•āĻĨা āĻ›া⧜া āĻ•িāϚ্āĻ›ু āĻĻেāĻ–া āϝাāϚ্āĻ›েāύা..... āĻ—াāĻŽে āϤাāĻšāϞে āφāϰāĻ“ āĻļāĻĢিāĻ• āĻĒাāϰāĻ­িāύ āφāĻ›ে....
āĻļাāϰāĻŽিāύ āĻ­েāĻŦেāĻ›িāϞ āφāϰāĻ“ āĻ•āĻĻিāύ āĻŦাāĻĒেāϰ āĻŦা⧜ী āĻĨাāĻ•āĻŦে। āĻ•িāύ্āϤু āĻļāϰীāĻĢ āĻ­াāĻ‡ā§Ÿেāϰ āϏাāĻĨে āφāϏāϤে āĻĒাāϰাāϰ āϞোāĻ­ āϏাāĻŽāϞাāϤে āύা āĻĒেāϰে āφāϜāχ āϰāĻ“āύা āĻšāϞ। āĻļāϰীāĻĢ āĻ­াāχ āĻļাāϰāĻŽিāύেāϰ āĻĒ্āϰাāĻ•্āϤāύ āĻĒ্āϰেāĻŽিāĻ•, āĻļাāϰāĻŽিāύāĻĻেāϰ āĻĒ⧜āĻļী āύāϤুāύ āχāϜি āĻŦাāχāĻ• āĻ•িāύেāĻ›ে। āĻļাāϰāĻŽিāύāĻ•ে āĻŦāϞāϞো, āφāĻŽাāϰ āύāϤুāύ āĻŦাāχāĻ• āϤোāĻŽাāĻ•ে āϚāϰি⧟ে āωāĻĻ্āĻŦোāϧāύ āĻ•āϰāϤে āϚাāχ। āĻĒ্āϰাāĻ•্āϤāύ āĻĒ্āϰেāĻŽিāĻ•েāϰ āĻšাāϤāĻ›াāύি āĻā§œাāϤে āĻŽāύ āϚাāχāϞ āύা। āĻĢāύ্āĻĻি āφāϟāϞো āĻ•িāĻ­াāĻŦে āϝাāĻ“ā§Ÿা āϝা⧟। āĻŽা, āĻļāϰীāĻĢ āĻ­াāχ āϰāϏুāϞāĻĒুāϰ āϝাāϚ্āĻ›ে। āφāĻŽি āĻ“āύাāϰ āĻ—া⧜ীāϤে āϚāϞে āϝেāϤে āĻĒাāϰি, āϝাāĻŦ āĻŽা? āĻ“āϰ āĻŽা āĻŦāϞāϞো āĻ­াāϞāχāϤো āĻšā§Ÿ, āϤāĻŦে āϜাāĻŽাāχ āĻŦাāĻŦাāϜি.... āĻ“ āύি⧟ে āϤুāĻŽি āĻ­েāĻŦোāύা... āĻļাāϰāĻŽিāύ āϜাāĻŽা āĻ•াāĻĒ⧜ āĻ—ুāĻ›ি⧟ে āωāĻ ে āĻĒāϰে āύāϤুāύ āϞাāϞ āχāϜি āĻŦাāχāĻ•ে। āĻ“āϰা āϏāϰাāϏāϰি āĻļাāϰāĻŽিāύেāϰ āϏ্āĻŦাāĻŽীāϰ āĻŦা⧜ী āύা āĻāϏে āϘুāϰāϤে āĻĨাāĻ•ে। āĻŦি⧟েāϰ āφāĻ—ে āĻļাāϰāĻŽিāύ āĻļāϰীāĻĢ āĻ­াāĻ‡ā§Ÿেāϰ āϏাāĻĨে āĻāϰāĻ•āĻŽ āĻ•āϤ āϘুāϰেāĻ›ে āϤাāϰ āĻ‡ā§ŸāϤ্āϤা āύেāχ। āĻŦāϰ্āώা⧟ āĻŦিāϞেāϰ āĻŽাāĻে āύৌāĻ•া⧟ āĻ•āϰে āĻĒাāϟāĻ•্āώেāϤেāϰ āĻ­েāϤāϰে āύৌāĻ•া āĻĸুāĻ•ি⧟ে āĻĻি⧟ে āĻ›āĻ‡ā§Ÿেāϰ āĻ­েāϤāϰে āĻ•āϤ āϝে āϚোāĻĻা āĻ–ে⧟েāĻ›ে, āϏে āϚোāĻĻাāϰ āĻ›āύ্āĻĻে āϤেāϤুāϞāϤāϞাāϰ āĻŦিāϞে āĻ•āϤ āϝে āĻĸেāω āωāĻ েāĻ›ে.... āφāϜ āĻ…āύেāĻ•āĻĻিāύ āĻĒāϰ āĻļāϰীāĻĢ āĻ­াāĻ‡ā§Ÿেāϰ āϏাāĻĨে āφāĻŦাāϰ āϘুāϰāĻ›ে, āϤāĻŦে āϚোāĻĻা āĻ–াāĻ“ā§Ÿাāϰ āϏুāϝোāĻ— āĻšā§ŸāϤো āĻšāĻŦেāύা। āϝা⧟āĻ—া āφāϰ āϏāĻŽā§Ÿ āĻ•োāĻĨা⧟। āĻļāϰীāĻĢ āĻ­াāχ āĻ…āĻŦāĻļ্āϝ āĻšোāϟেāϞে āϝাāĻŦাāϰ āĻ•āĻĨা āĻŦāϞেāĻ›িāϞ āϤāĻŦে āĻļাāϰāĻŽিāύেāϰ āĻ­াāϞ āϞাāĻ—েāύা। āĻ•েāω āĻĻেāĻ–ে āĻĢেāϞāϞে āϏāϰ্āĻŦāύাāĻļ। āĻĻুāĻĒুāϰে āĻŽোāϘāϞ āĻšোāϟেāϞেāϰ āĻ•েāĻŦিāύে āĻ–াāĻŦাāϰ āϏāĻŽā§Ÿ āĻĻু āĻĒাāϚāϟা āϟিāĻĒ āĻ–ে⧟ে āĻļāϰীāĻĢ āĻ­াāĻ‡ā§Ÿেāϰ āϞāĻŽ্āĻŦা, āĻŽোāϟা āφāϰ āĻŽেāϰাāĻĨāύ āϚোāĻĻাāϰ āĻ•āĻĨা āĻŽāύে āĻĒāϰা⧟ āĻŽāύāϟা āĻ•েāĻŽāύ āϝেāύ āĻ•āϰāĻ›ে।āĻ“āϰা āϏাāϰাāĻĻিāύ āĻŦিāĻ­িāύ্āύ āϝা⧟āĻ—া⧟ āϘুāϰেāĻ›ে, āϟāĻ—ি āϏিāύেāĻŽা āϘāϰ, āĻĒাāϰ্āĻ• āĻāĻŽāύāĻ•ি āĻĻāĻļāĻŽিāϰ āĻŽেāϞা। āĻļāϰীāĻĢ āĻ­াāχ āĻ…āύেāĻ• āωāĻĒāĻšাāϰ āĻ•িāύে āĻĻি⧟েāĻ›ে। āĻāϏāĻŦ āĻ•āϰে āĻĢিāϰāϤে āĻĢিāϰāϤে āĻ“āĻĻেāϰ āĻĒ্āϰা⧟ āϰাāϤ āϏাāϰে āύ⧟āϟা āĻŽāϤো āĻŦেāϜে āĻ—েāϞ। āĻ“āĻĻেāϰ āĻŦা⧜ীāϤে āχāϜি āĻŦাāχāĻ• āϝাāĻŦাāϰ āϰাāϏ্āϤা āύেāχ āϤাāχ āĻŦাāϜাāϰেāϰ āĻŽোāϰে āχāϜি āĻŦাāχāĻ• āϰেāĻ–ে āĻļāϰীāĻĢ āφāϰ āĻļাāϰāĻŽিāύ āĻĒা⧟ে āĻšেāϟে āϰāĻ“āύা āĻšāϞ। āĻ াāĻ•ুāϰ āĻŦা⧜ীāϰ āφāĻŽ āĻŦাāĻ—াāύেāϰ āϏাāĻŽāύে āĻāϏে āĻĻুāϜāύেāχ āĻĨāĻŽāĻ•ে āĻĻা⧜াāϞো। āĻļāϰীāĻĢ āĻļাāϰāĻŽিāύেāϰ āĻĻুāĻšাāϤ āϧāϰে āφāĻŽāĻŦাāĻ—াāύে āĻĸুāĻ•াāϰ āϜāύ্āϝ āĻŦāϞāϞো। āύা āĻ…āύেāĻ• āϰাāϤ āĻšā§ŸেāĻ›ে, āĻļেāώে āĻļāĻĢিāĻ• āϰাāĻ— āĻ•āϰāĻŦে। āĻ•িāϚ্āĻ›ু āĻšāĻŦেāύা āĻŦেāĻļি āϏāĻŽā§Ÿ āϞাāĻ—āĻŦে āύা। āĻļāϰীāĻĢ āĻļাāϰāĻŽিāύāĻ•ে āĻ•োāϞে āĻ•āϰে āĻāĻ•āϟা āϘāύ āĻĒাāϤা āĻŦোāĻাāχ āφāĻŽāĻ—াāĻ›েāϰ āύিāϚে āĻāύে āĻĻা⧜া āĻ•āϰা⧟। āϏāĻŽā§Ÿ āĻ•āĻŽ āϤাāχ āϤাāϰাāϤাāϰি āĻļাāϰāĻŽিāύেāϰ āĻļা⧜ি āύিāϚে āĻĻি⧟ে āĻšাāϤ āĻĸুāĻ•ি⧟ে āĻ“āϰ āĻ—ুāĻĻেāϰ āĻŽāϧ্āϝে āφংāĻ—ুāϞ āϚাāϞি⧟ে āĻĻ্āϰুāϤāχ āωāϤ্āϤেāϜিāϤ āĻ•āϰে āϤোāϞে āĻ“āĻ•ে। āĻ—ুāĻĻ āĻ­িāϜে āĻ“āĻ ে। āĻļāϰীāĻĢেāϰ āύ⧟ āχāĻž্āϚি āϧāύāϟা āφāĻ—ে āĻĨেāĻ•েāχ āĻ–া⧜া āĻ›িāϞ.... āĻļাāϰāĻŽিāύāĻ•ে āĻ—াāĻ›েāϰ āϏাāĻĨে āĻ েāϏ āĻĻি⧟ে āĻĻুāχ āĻĒা āωāϚু āĻ•āϰে āϧāϰে āϧāύেāϰ āĻŽাāĻĨাāϟা āĻ­āϰে āĻĻে⧟ āĻ“āϰ āĻ—ুāĻĻেāϰ āĻŽুāĻ–ে। āĻļাāϰāĻŽিāύ āφāĻš āĻ•āϰে āĻļāĻŦ্āĻĻ āĻ•āϰে āĻ“āĻ ে। āĻ“ āĻŽা āĻ•ি āφāϰাāĻŽ, āĻ“āĻĢ্ āφāĻš্ āĻ“āĻš্ āφāĻš্ āĻ•িāϝে āĻŽāϜা āĻ“āĻŽাāĻ—ো āĻŽāϰে āϝাāĻŦ āĻ“āϰ āϏ্āĻŦাāĻŽীāϰ āĻ•াāĻ›ে āϝে āϏুāĻ– āϏে āϚা⧟ āĻ…āĻĨāϚ āĻĒা⧟āύা āĻļāϰীāĻĢেāϰ āĻ•াāĻ›ে āϏে āϤা āĻ–ুāϜে āĻĒা⧟। āĻļāϰীāĻĢেāϰ āϧāύ āĻ“āϰ āϏ্āĻŦাāĻŽীāϰ āϧāύেāϰ āϚে⧟ে āĻŦ⧜। āϤাāχ āĻŦি⧟েāϰ āĻĒāϰ āĻ“āϰ āϏ্āĻŦাāĻŽীāϰ āϧāύ āĻĻেāĻ–ে āĻ“āϰ āĻŽāύāϟাāχ āĻ–াāϰাāĻĒ āĻšā§Ÿে āĻ—িāϝেāĻ›িāϞ। āύা āĻšāϞেāĻ“ āĻāĻ• āχāĻž্āϚি āĻ›োāϟ āĻšāĻŦে। āφāϰ āĻ াāĻĒাāύেāϰ āĻ•া⧟āĻĻাāĻ“ āĻ­িāύ্āύ। āĻāχ āϝে āĻāĻ–āύ āĻĻুāĻšাāϤেāϰ āϤাāϞুāϰ āĻŽāϧ্āϝে āĻŦāϏি⧟ে āĻ—াāĻ›েāϰ āϏাāĻĨে āĻ েāϏ āĻĻি⧟ে āϝে āĻ াāĻĒ āĻĻিāϚ্āĻ›ে āϤাāϰ āĻাāĻ•িāϤে āĻŽāύেāĻšā§Ÿ āĻ—াāĻ›েāϰ āĻĻু āĻāĻ•āϟা āφāĻŽāĻ“ āĻĒ⧜েāĻ›ে। āĻ“ āϝেāύ āĻāĻ•āϟা āĻ›োāϟ্āϟ āĻĒুāϤুāϞ, āφāϰ āϘো⧜াāϰ āϏāĻŽাāύ āϧāύ āĻĻি⧟ে āĻ“āĻ•ে āϚুāĻĻāĻ›েāĻļāϰীāĻĢ। āĻļাāϰāĻŽিāύ āĻļāϰীāĻĢেāϰ āĻ—āϞা āϧāϰে āĻুāϞে āφāĻ›ে āφāϰ āĻļāϰীāĻĢ āĻ—াāĻ›েāϰ āϏাāĻĨে āĻ েāϏ āĻĻি⧟ে āĻļাāϰāĻŽিāύেāϰ āĻ—ুāĻĻে āϧāύāϟা āĻĸোāĻ•াāϚ্āĻ›ে āφāϰ āĻŦেāϰ āĻ•āϰāĻ›ে। āĻ…āύ্āϧāĻ•াāϰ āĻ•িāĻ›ুāχ āĻĻেāĻ–া āϝাāϚ্āĻ›েāύা। āĻ…āύেāĻ•āĻĻিāύ āĻĒāϰ āϤাāĻ›া⧜া āĻĒ্āϰāĻĨāĻŽ āĻ াāĻĒ āϤাāχ āĻļāϰীāĻĢেāϰ āϚোāĻĻাāϰ āĻ›ুāϟিāϰ āϘāύ্āϟা āĻŦেāϜে āωāĻ āϞ āĻĒ্āϰা⧟। āĻ াāĻĒাāύোāϰ āĻ—āϤি āĻāϤāχ āĻŦে⧜ে āĻ—েāϞ āϝে āĻļাāϰāĻŽিāύāĻ“ āĻŦুāĻāϤে āĻĒাāϰāϞো āϏāĻŽā§Ÿ āĻļেāώ। āĻļাāϰāĻŽিāύ āĻŦāϞāϞোāĻ­েāϤāϰে āĻĢেāϞোāύা āĻĄেāĻž্āϜাāϰ āĻĒিāϰি⧟āĻĄ āϚāϞāĻ›ে। āĻāĻ•āĻĨা āĻļোāύাāϰ āϏাāĻĨে āϏাāĻĨে āĻļāϰীāĻĢ āϧāύāϟা āĻŦেāϰ āĻ•āϰে āφāύāϞ, āĻ—āϞ āĻ—āϞ āĻ•āϰে āĻŽাāϞ āĻŦেāϰ āĻšāϞ, āĻ›িāϟāĻ•ে āĻ•োāĻĨা⧟ āĻ•োāĻĨা⧟ āϝে āĻ—েāϞ āĻ…āύ্āϧāĻ•াāϰে āϤা āĻŦোāĻা āĻ—েāϞāύা।āĻļāĻĢিāĻ• āĻ—াāĻ›েāϰ āĻ“āĻĒāϰ āĻĨেāĻ•ে āύীāϚু āĻ•āύ্āĻ ে āĻĢিāϏāĻĢিāϏ āĻ•āϰে āĻŦāϞāϞো, āĻāχ āĻ•াāϰা āĻ“āĻ–াāύে? āĻāĻ•āĻĨা āĻļুāύা āĻŽাāϤ্āϰ āĻļāĻĢিāĻ• āĻ•োāύ āĻ•িāĻ›ু āϚিāύ্āϤা āύা āĻ•āϰে āĻāĻ•āĻĻিāĻ•ে āĻ›ুāϟে āĻĒাāϞাāϞো। āĻļাāϰāĻŽিāύেāϰ āĻ•ি āĻšāĻŦে āϤা āϚিāύ্āϤা āĻ•āϰাāϰ āĻ…āĻŦāĻ•াāĻļ āύেāχ। āĻ•াāϰāĻŖ āĻāϰāĻ•āĻŽ āĻĒāϰিāϏ্āĻĨিāϤিāϤে āϧāϰা āĻĒāϰা āĻŽাāύে āĻŽাāϰ āĻ–াāĻ“ā§Ÿা āĻ…āĻĨāĻŦা āϏāĻŦাāϰ āĻ•াāĻ›ে āĻ…āĻĒāĻŽাāύিāϤ āĻšāĻ“ā§Ÿা। āϚাāϚা āφāĻĒāύ āĻĒāϰাāύ āĻŦাāϚা। āĻŦুāĻĻ্āϧি āĻĨাāĻ•āϞে āĻļাāϰāĻŽিāύāĻ“ āĻĒাāϰ āĻĒে⧟ে āϝাāĻŦে। āĻ•ৌāĻļāϞ āϜাāύāϞে āĻŽে⧟েāĻĻেāϰ āĻĒāĻ•্āώে āĻĒাāϰ āĻĒাāĻ“ā§Ÿা āĻ…āύেāĻ• āϏāĻšāϜ। āĻļāĻĢিāĻ• āύিāϚে āĻāϏে āĻĻেāĻ–ে āĻāĻ•āϟা āĻŽে⧟ে āĻĻা⧜াāύো। āĻļা⧜িāϰ āφāϚāϞ āĻĻি⧟ে āĻŽুāĻ– āĻĸেāĻ•ে āφāĻ›ে। āϝেāύ āĻ•েāω āϚিāύāϤে āύা āĻĒাāϰে। āĻ…āύ্āϧāĻ•াāϰ āϤেāĻŽāύ āĻ­াāϞāĻ­াāĻŦে āĻĻেāĻ–া āϝাāϚ্āĻ›েāύা āϤāĻŦে āĻŦোāĻা āϝাāϚ্āĻ›ে। āĻāĻ•āϜāύ āĻ•েāω āĻĻৌ⧜ে āĻĒাāϞাāϞো। āϏেāĻĻিāĻ•ে āĻ–ে⧟াāϞ āύা āĻ•āϰে āĻļāĻĢিāĻ• āĻŽে⧟েāϟাāϰ āĻ•াāĻ›ে āĻāϏে āĻĢিāϏāĻĢিāϏ āĻ•āϰে āĻŦāϞāϞো, āĻāĻ–āύ āϝāĻĻি āĻ—্āϰাāĻŽেāϰ āϞোāĻ• āĻĄাāĻ•ি āϤāĻŦে āĻ•ি āĻšāĻŦে āϜাāύ। āĻŽে⧟েāϟা āĻ•িāĻ›ু āĻŦāϞāĻ›ে āύা, āĻ•েāĻŦāϞ āĻĢুāĻĒি⧟ে āĻĢুāĻĒি⧟ে āĻ•াāĻĻāĻ›ে। āĻ—āϞাāϰ āĻ•āύ্āĻ āϟা āĻ–ুāĻŦ āϚেāύা āϚেāύা āϞাāĻ—āĻ›ে āĻļাāϰāĻŽিāύেāϰ āĻ•াāĻ›ে। āĻ•িāύ্āϤু āĻĢিāϏ āĻĢিāϏ āĻ•āϰে āĻ•āĻĨা āĻŦāϞাāϤে āĻ িāĻ• āĻŦোāĻা āϝাāϚ্āĻ›েāύা। āĻ িāĻ• āφāĻ›ে āĻ•াāĻĻāϤে āĻšāĻŦেāύা। āφāĻŽি āĻ•াāωāĻ•েāĻĄাāĻ•āĻŦো āύা āϝāĻĻি āϤুāĻŽি āφāĻŽাāϰ āĻ•āĻĨা āĻļোāύ। āĻ•ি āĻļুāύāĻŦে? āĻŽে⧟েāϟা āĻŽাāĻĨা āύা⧜ে। āϤāĻŦে āĻŽুāĻ– āĻĨেāĻ•ে āφāϚāϞ āϏāϰা⧟āύা। āφāĻŽি āϝা āϝা āĻ•āϰāĻŦো āϤুāĻŽি āϏা⧟ āĻĻেāĻŦে, āĻ•োāύ āĻ•িāĻ›ুāϤে āύা āĻ•āϰāĻŦে āύা। āĻŽে⧟েāϟা āĻŽাāĻĨা āύা⧜ে। āĻļāĻĢিāĻ• āĻŽে⧟েāϟাāĻ•ে āĻ—াāĻ›েāϰ āϏাāĻĨে āĻ েāϏ āĻĻি⧟ে āĻĻা⧜ āĻ•āϰি⧟ে āĻĻে⧟। āφāϚāϞ āĻĻি⧟ে āĻŽুāĻ– āĻĸাāĻ•াāϤে āĻŦুāĻ•āĻĻুāϟো āĻŦেāϰি⧟েāχ āĻ›িāϞ। āĻļāĻĢিāĻ• āφāĻŦāĻ›াāĻ­াāĻŦে āĻĻেāĻ–āϤে āĻĒা⧟, āĻŦ⧜ āĻŦ⧜ āĻ›āϤ্āϰিāĻļ āĻšāĻŦে āĻĻুāϟো āĻĻুāϧ। āĻĻুāχ āĻšাāϤ āĻĻি⧟ে āĻŦ্āϞাāωāϜেāϰ āĻ“āĻĒāϰ āĻĻি⧟েāχ āϜোāϰে āϟিāĻĒāϤে āĻĨাāĻ•ে। āĻ“āĻš্ āĻ•ি āĻ…āĻĻ্āĻ­ুāϤ, āύāϰāĻŽ āĻ…āĻĨāϚ āĻĄাāϏা। āĻļāĻĢিāĻ•েāϰ āĻŽāύে āĻšāϞ āĻāϰāĻ•āĻŽ āĻĻুāϧ āĻ“ āϜীāĻŦāύে āϧāϰেāύি...।āĻļাāϰāĻŽিāύ āĻ•িāĻ›ুāχ āĻŦāϞāϞো āύা। āĻļেāĻ•্āϏāĻĒি⧟াāϰেāϰ āωāĻ•্āϤি āĻŽāύে āĻĒāϰāϞো.... “āϝāĻ–āύ āϤুāĻŽি āϧāϰ্āώāύ āĻ েāĻ•াāϤে āύা āĻĒাāϰ āϤāĻ–āύ āϤা āωāĻĒāĻ­োāĻ— āĻ•āϰাāϰ āϚেāώ্āϟা āĻ•āϰ।”- āĻļাāϰāĻŽিāύāĻ“ āϤাāχ āĻ•āϰāϞো। āϞোāĻ•āϟা āĻāϤ āϜোāϰে āĻĻুāϧ āϟিāĻĒāĻ›ে āϝে āĻļাāϰāĻŽিāύেāϰ āĻĻুāϧেāϰ āĻ­েāϤāϰেāϰ āĻŽাংāĻļ, āϚāϰ্āĻŦি āĻāĻ•াāĻ•াāϰ āĻšā§Ÿে āĻāĻ• āĻ…āύ্āϝāϰāĻ•āĻŽ āϏāĻ–াāύুāĻ­ুāϤি āĻšāϚ্āĻ›ে। āĻ“āϰ āϏ্āĻŦাāĻŽী āϤে āύ⧟āχ āĻ…āύ্āϝ āĻ•েāω āĻāϤ āϏুāύ্āĻĻāϰ āĻ•āϰে āĻĻুāϧ āϟিāĻĒেāĻ›ে āĻŦāϞে āĻļাāϰāĻŽিāύেāϰ āĻŽāύে āĻĒāϰāĻ›ে āύা। āĻļāĻĢিāĻ• āĻļāϰীāϰেāϰ āϏāĻŦ āĻļāĻ•্āϤি āĻĻি⧟ে āĻĻুāϧ āϟিāĻĒāĻ›ে, āĻ“ āĻ­াāĻŦāϞো āĻāχ āĻŽে⧟ে āϤো āĻ…āϚেāύা, āϝāĻĻি āĻ•োāύ āĻ•্āώāϤিāĻ“ āĻšā§Ÿে āϝা⧟ āϤāĻšāϞেāĻ“ āĻ“āĻ•ে āϧāϰাāϰ āĻ•া⧟āĻĻা āύেāχ। āύিāϜেāϰ āĻŦāω āĻšāϞে āĻ…āύেāĻ• āϏāĻŽā§Ÿ āĻŽা⧟া āĻ•āϰে āϚুāĻĻāϤে āĻšā§Ÿ āĻ•াāϰāĻŖ āĻŦ্āϝাāĻĨা āĻĒেāϞে āϚিāĻ•িāϤāϏাāϰ āĻŦ্āϝ⧟ āϤো āύিāϜেāĻ•েāχ āύিāϤে āĻšā§Ÿ। āĻāĻ–াāύে āϤো āϏে āϚিāύ্āϤা āύেāχ āϤাāχ āĻ“ āĻ­াāĻŦāϞো āφāϜ āĻĒাāĻļāĻŦিāĻ• āϚোāĻĻা āϚুāĻĻāĻŦে āĻŽে⧟েāϟাāĻ•ে। āϝাāĻ•ে āĻŦāϞে Brutal sex. āĻ“ āĻĻুāχ āĻšাāϤে āĻāĻ•āϟা āĻĻুāϧ āĻŽুāĻ ো āĻ•āϰে āϧāϰে āĻļāϰীāϰেāϰ āϏāĻŦ āĻļāĻ•্āϤি āĻĻি⧟ে āϟিāĻĒāϤে āĻĨাāĻ•ে। āĻļাāϰāĻŽিāύেāϰ āĻŽāύেāĻšā§Ÿ āĻĻুāϧāϟা āĻ›ি⧜ে āϝাāĻŦে। āϞোāĻ•āϟাāϰ āĻšাāϤেāϰ āĻŽুāĻ ো⧟ āĻĻুāϧāϟা āĻĢুāϞে āĻŦেāϞুāύেāϰ āĻŽāϤো āĻšā§Ÿে āφāĻ›ে। āĻļাāϰāĻŽিāύ āϞোāĻ•āϟাāϰ āĻšাāϤ āĻ›া⧜ি⧟ে āύি⧟ে āĻŦ্āϞাāωāϜ āφāϰ āĻŦ্āϰা āĻŦুāĻ•েāϰ āĻ“āĻĒāϰে āϤুāϞে āĻĻি⧟ে āĻĻুāϟো āĻĻুāϧāχ āĻŦোāϟাāϏāĻŽেāϤ āĻŦেāϰ āĻ•āϰে āĻĻিāϞ। āĻļāĻĢিāĻ• āĻŽে⧟েāϟাāϰ āĻĒ্āϰāĻļ্āϰ⧟ āĻĒে⧟ে āĻ–ুāĻļি āĻšā§Ÿে āφāĻŦাāϰāĻ“ āĻĻুāχāĻšাāϤেāĻŽে⧟েāϟাāϰ āĻŦাāĻŽ āĻĻুāϧāϟা āĻŽুāĻ ি āĻ•āϰে āϧāϰে āĻŦোāϟা āĻŽুāĻ–ে āύি⧟ে āϚুāώāϤে āĻļুāϰু āĻ•āϰāϞো।āφāĻš্ āĻ“āĻš্āĻšāĻš্* āĻĒাāϰāĻ­িāύ āϏুāĻ–েāϰ āĻļāĻŦ্āĻĻ āĻ•āϰāϤে āĻļāϰু āĻ•āϰāϞো। āĻļāĻĢিāĻ• āĻāĻŦাāϰ āĻĄাāύ āĻĻুāϧেāĻ“ āĻāĻ•āχāĻ­াāĻŦে āφāĻĻāϰ āĻ•āϰা āĻļুāϰু āĻ•āϰāϞো।āĻāĻ•āϟু āφāĻ—ে āĻļāϰীāĻĢ āϤাāϰাāĻšুāϰা āĻ•āϰে āϚুāĻĻেāĻ›ে āϤাāχ āĻļাāϰāĻŽিāύেāϰ āϏ্āĻŦাāϧ āĻŽেāϟেāύি। āĻāϰāĻ•āĻŽ āĻ…āϤৃāĻĒ্āϤ āĻ…āĻŦāϏ্āĻĨা⧟ āϞোāĻ•āϟা āĻĒাāĻ—āϞেāϰ āĻŽāϤো āϚোāĻĻা āĻ…āϏāĻŽ্āĻ­āĻŦ āĻ­াāϞ āϞাāĻ—āĻ›ে āĻļাāϰāĻŽিāύেāϰ। āĻļāĻĢিāĻ• āĻāĻŦাāϰ āĻĻুāϟো āĻĻুāϧ āĻĻুāχāĻšাāϤে āϧāϰে āĻāĻ•āĻŦাāϰ āĻĄাāύāĻĻিāĻ•েāϰ āĻŦোāϟা⧟ āϚোāώে āφāϰ āĻāĻ•āĻŦাāϰ āĻŦাāĻŽāĻĻিāĻ•েāϰ āĻŦোāϟা⧟ āϚোāώে। āĻ িāĻ• āϝেāĻ­াāĻŦে āĻ—āϰুāϰ āĻĻুāϧ āĻĻো⧟াāύেāϰ āϏāĻŽā§Ÿ āĻĻুāϧ āĻĒাāύা⧟ āϏেāϰāĻ•āĻŽ। āĻļাāϰāĻŽিāύ āĻ–ুāĻŦ āωāϤ্āϤেāϜিāϤ āĻšā§Ÿে āĻĒāϰে।āĻļāĻĢিāĻ• āĻŽে⧟েāϟাāϰ āĻĻুāϧ āϚোāώা āĻŦāύ্āϧ āĻ•āϰে, āϤāĻ–āύ āĻļাāϰāĻŽিāύ āϞোāĻ•āϟাāϰ āϞুংāĻ—িāϰ āĻ­েāϤāϰে āĻšাāϤ āĻĸুāĻ•ি⧟ে āϧāύেāϰ āϏাāχāϜ āĻĻেāĻ–ে, āĻĻুāĻāĻ•āĻŦাāϰ āϏাāĻŽāύে āĻĒেāĻ›āύেāϰ āĻ•āϰে āĻšাāϤ āĻŽেāϰে āĻĻেāĻŦাāϰ āĻ­ংāĻ—ি āĻ•āϰে। āĻļাāϰāĻŽিāύ āĻŽাāϟিāϤে āĻŦāϏে āϞুংāĻ—িāϟা āĻ“āĻĒāϰে āϤুāϞে āφāϚāϞে āĻĸাāĻ•া āĻŽুāĻ–েāϰ āĻ­েāϤāϰে āϧāύāϟা āĻĸুāĻ•ি⧟ে āϚুāώāϤে āĻĨাāĻ•ে। āĻāϟা āĻļāϰিāĻĢ āĻ­াāχ āĻļিāĻ–ি⧟েāĻ›ে। āĻŽুāϧে āϧāύ āύিāϞে āύাāĻ•ি āĻ›েāϞেāϰা āĻŦেāĻļি āωāϤ্āϤেāϜিāϤ āĻšā§Ÿ, āĻŽাāύে āϧāύ āĻ…āύেāĻ• āĻļāĻ•্āϤ āφāϰ āĻ…āύেāĻ•্āώāĻŖ āĻ–া⧜া āĻĨাāĻ•ে, āĻŽাāύে āφāϏāϞে āĻāϤে āĻŽে⧟েāĻĻেāϰ āĻŽāϜাāχ āĻŦা⧜ে, āĻ•াāϰāĻŖ āĻ…āύেāĻ•্āώāĻŖ āϚোāĻĻা āĻ–াāĻ“ā§Ÿা āϝা⧟। āĻ“āϰ āϏ্āĻŦাāĻŽীāĻ•ে āĻ…āĻŦāĻļ্āϝ āĻ•āĻ–āύো āϚুāώে āĻĻে⧟āύি āĻ•াāϰāĻŖ āϏ্āĻŦাāĻŽীāϰা āĻāϤে āϏāύ্āϧেāĻš āĻ•āϰāϤে āĻĒাāϰে। āĻŦāϞāϤে āĻĒাāϰে āĻ•ি āĻŦেāĻšা⧟া āĻŦāω, āĻšā§ŸāϤো āφāĻ—ে āĻ•াāϰāĻ“ āĻ•াāĻ›ে āϚোāĻĻা āĻ–ে⧟েāĻ›ে। āϏ্āĻŦাāĻŽীāϰ āĻ•াāĻ›ে āϏ্āĻŦāϤী āϏ্āĻŦাāϧ্āĻŦী āĻĨাāĻ•āϤে āĻšā§Ÿ। āĻŦোāĻ•া āĻšā§Ÿে āĻĨাāĻ•āϤে āĻšā§Ÿ āϤাāĻšāϞে āϏ্āĻŦাāĻŽীāϰা āϏāύ্āϧেāĻš āĻ•āϰেāύা। āĻļāĻĢিāĻ• āĻāϤ āωāϤ্āϤেāϜāύা āĻ•āĻ–āύো āĻŦোāϧ āĻ•āϰেāύি। āĻ“āϰ āĻŦāωāĻ“ āĻ•āĻ–āύো āϧāύ āĻŽুāĻ–ে āύে⧟āύি। āĻļāĻĢিāĻ•āĻ“ āĻ•āĻ–āύো āĻŦāϞেāύি āĻ•াāϰāύ āĻŦāω āĻāϤে āĻ•ি āĻŽāύে āĻ•āϰে, āφāĻŦাāϰ āϝāĻĻি āϏāύ্āϧেāĻš āĻ•āϰে āϝে āϤুāĻŽি āĻšā§ŸāϤো āĻ…āύ্āϝ āĻ•াāϰো āϏাāĻĨে āϚোāĻĻাāϚুāĻĻি āĻ•āϰেāĻ›। āĻļāĻĢিāĻ• āφāφāφ āĻļāĻŦ্āĻĻ āĻ•āϰāĻ›ে। āĻ“āϰ āϞংāĻ—ি āĻ–ুāϞে āĻŽাāϟিāϤে āĻŦিāĻ›ি⧟ে āĻŽে⧟েāϟাāĻ•ে āĻļāĻ‡ā§Ÿে āĻĻে⧟। āĻĒেāϟিāĻ•োāϟ āĻļুāĻĻ্āϧ āĻļা⧜ী āωāĻ ি⧟ে āĻ­োāĻĻাāϟা āωāϞংāĻ— āĻ•āϰে। āĻĻু āĻāĻ•āĻŦাāϰ āφংāĻ—ুāϞ āϚাāϞিāϝে āĻĻুāχ āĻšাāϤেāϰ āĻŦু⧜ো āφংāĻ—ুāϞ āĻ­োāĻĻাāϰ āĻĻুāĻĻিāĻ•ে āϰেāĻ–ে āĻĢাāĻ• āĻ•āϰে āϜিāĻ­āϟা āĻĸুāĻ•ি⧟ে āϚাāϟা āĻļুāϰু āĻ•āϰে।āĻŽে⧟েāϟা āϏুāĻ–েāϰ āϝāύ্āϤ্āϰāύা⧟ āĻ•াāϤāϰ āĻšā§Ÿে āĻŽাāĻĨাāϟা āĻ েāϏে āϧāϰে āĻ­োāĻĻাāϰ āĻŽুāĻ–ে। āĻļāĻĢিāĻ• āϜিāĻš্āĻŦাāϟা āĻ—ুāĻĻেāϰ āĻ­েāϤāϰ āĻĒāϰ্āϝāύ্āϤ āϝāϤāĻĻুāϰ āϏāĻŽ্āĻ­āĻŦ āĻĸুāĻ•ি⧟ে āĻĻে⧟, āϝেāύ āĻāϟা āϜিāĻš্āĻŦা āύা āϧāύ। āĻŽে⧟েāϟা āωāϤ্āϤেāϜāύা⧟ āĻāĻĻিāĻ• āĻ“āĻĻিāĻ• āĻŽোāϚāϰাāϤে āĻĨাāĻ•ে.. āφāĻš্ āφāĻš্āĻšা āφāĻ“ āφ.. āĻĻাāĻ“ āĻĻাāĻ“... āĻļāĻĢিāĻ• āφāϰ āĻ…āĻĒেāĻ•্āώা āύা āĻ•āϰে āĻ–া⧜া āϧāύāϟা āĻŽে⧟েāϟাāϰ āĻ—ুāĻĻেāϰ āĻŽুāĻ–ে āĻĸুāĻ•ি⧟ে āĻĻে⧟.. āĻĢāϚ āĻļāĻŦ্āĻĻ āĻ•āϰে āĻĒুāϰোāϟা āϧāύ āĻ—ুāĻĻেāϰ āĻ—ুāĻšা⧟ āĻĸুāĻ•ে āĻĒāϰে। āĻ—ুāĻĻেāϰ āĻĻে⧟াāϞāϟা āĻ•েāĻŽāύ āϝেāύ āϚেāĻĒে āϧāϰেāĻ›ে āĻļāĻĢিāĻ•েāϰ āϧāύāϟা.. āĻ…āĻĻ্āĻ­ুāϤ āφāύāύ্āĻĻ āĻšāϚ্āĻ›ে। āĻŽে⧟েāϟা āĻšā§ŸāϤো āĻŦেāĻļি āϚোāĻĻা āĻ–া⧟āύি, āĻ—ুāĻĻ āϟাāχāϟ āφāĻ›ে āĻāĻ–āύো... āĻ•িāύ্āϤু āĻŽে⧟েāϟা āĻ•ে? āĻ āĻ—া⧟েāϰāχ āĻšāĻŦে āĻšā§ŸāϤো। āϚোāĻĻাāϰ āĻĒāϰ āĻĻেāĻ–ে āύেāĻŦাāϰ āĻ•āĻĨা āĻ­াāĻŦে। āĻļাāϰāĻŽিāύেāϰ āĻ­োāĻĻা āĻāϤ āĻ—āϰāĻŽ āĻ•āĻ–āύো āĻšā§Ÿāύি। āϜিāĻš্āĻŦা āĻĻি⧟ে āϚেāϟে āĻĻিāϞে āϝে āĻāϤ āĻŽāϜা āϞাāĻ—ে āϤা āϜাāύāϤো āύা āĻļাāϰāĻŽিāύ। āϞোāĻ•āϟাāϰ āϧāύāϟা āĻļāϰীāĻĢ āĻ­াāĻ‡ā§Ÿেāϰ āϚে⧟ে āĻ›োāϟ āĻšāϞেāĻ“ āĻāϤ āĻļāĻ•্āϤ āϝে āĻ­োāĻĻাāϰ āύাāϰীāĻ­ুāϰি āĻ›ি⧜ে āĻ­েāϤāϰে āĻĸুāĻ•ে āϝাāϚ্āĻ›ে āφāϰ āĻŦেāϰি⧟ে āφāϏāĻ›ে āϧāύāϟা। āĻ—ুāĻĻেāϰ āĻĻে⧟াāϞে āϧāύেāϰ āϧāϰ্āώāύে āϝেāύ āφāĻ—ুāύ āϧāϰে āϝাāĻŦাāϰ āĻŽāϤো āĻ…āĻŦāϏ্āĻĨা। āĻļাāϰāĻŽিāύ āĻ­াāĻŦে āϞোāĻ•āϟাāϰ āϚোāĻĻা āĻāϤ āĻŽāϜা āϞাāĻ—āĻ›ে, āϞোāĻ•āϟা āĻ•ে? āĻ āĻ—া⧟েāϰāχ āĻšāĻŦে āĻšā§ŸāϤো। āφāϞো āĻĨাāĻ•āϞে āϚিāύে āύে⧟া āϝেāϤ। āϚোāĻĻা āĻ–াāĻŦাāϰ āĻĒāϰ āϏুāϝোāĻ— āĻšāϞে āĻĒāϰিāϚ⧟ āϜেāύে āύে⧟া āϝাāĻŦে।āĻļāĻĢিāĻ• āĻŽে⧟েāϟাāĻ•ে āϚিāϤ āĻ•āϰে āϚোāĻĻে, āĻ•ুāĻ•ুāϰ āϏ্āϟাāχāϞে āϚোāĻĻে āĻĻা⧜ি⧟ে āχংāϞিāĻļ āϏ্āϟাāχāϞে āϚোāĻĻে, āĻ—াāĻ›ে āĻ েāϏ āĻĻি⧟ে āĻ•োāϞে āύি⧟ে āϚোāĻĻে, āϤাāϰāĻĒāϰ āĻ—াāĻ›েāϰ āύিāϚু āĻĄাāϞে āĻĻুāχāĻšাāϤ āĻĻি⧟ে āĻŽে⧟েāϟাāĻ•ে āĻুāϞāϤে āĻŦāϞে āύিāϚে āĻĨেāĻ•ে āĻļāĻĢিāĻ• āϤāϞāĻ াāĻĒ āϤে⧟। āϏāĻŦāĻļেāώে āφāĻŦাāϰ āĻŽাāϟিāϤে āϞুংāĻ—িāϰ āĻ“āĻĒāϰ āϏে⧟া⧟। āĻŽে⧟েāϟা āϝāϤāĻĻূāϰ āϏāĻŽ্āĻ­āĻŦ āĻĒা āĻĻুāϟো āĻĢাāĻ• āĻ•āϰে āĻĻে⧟। āĻļāĻĢিāĻ• āĻŽে⧟েāϟাāϰ āĻŦুāĻ•েāϰ āĻ“āĻĒāϰ āĻļু⧟ে āϧāύāϟা āĻ—ুāĻĻে āĻ­āϰে āĻĻে⧟। āϜ⧜ি⧟ে āϧāϰে āϚুāĻĻāϤে āĻĨাāĻ•ে। āĻĒ্āϰা⧟ āϚāϞ্āϞিāĻļ āĻŽিāύিāϟ āĻšā§Ÿে āĻ—েāĻ›ে। āĻļāĻĢিāĻ•েāϰ āĻŽাāϞ āĻŦেāϰি⧟ে āϝাāĻŦাāϰ āϏāĻŽā§Ÿ āĻšā§Ÿে āĻāϏেāĻ›ে। āϚোāĻĻাāϰ āϏ্āĻĒীāĻĄ āĻŦে⧜ে āϝা⧟... āĻļাāϰāĻŽিāύ āĻŽāϜাāϰ āϚু⧜াāύ্āϤে.... āφāĻš āφāĻš āĻ“āĻš āĻšো āφ āĻ…āĻĻ্āĻ­ুāĻĻ āϏāĻŦ āĻļāĻŦ্āĻĻ āĻ•āϰāĻ›ে āĻŽাāϞ āĻ–āϏে āϝাāĻŦে āĻšā§ŸāϤো āϞোāĻ•āϟা āĻāϤ āϏ্āĻĒীāĻĄে āϧāύ āĻĸুāĻ•াāϚ্āĻ›ে āφāϰ āĻŦেāϰ āĻ•āϰāĻ›ে... āĻŽāύেāĻšāϚ্āĻ›ে āϏāĻŦ āĻ›ি⧜ে āĻĢেāϞāĻŦে āĻĻুāϧāĻĻুāϟোāĻ“ āϜোāϰে āϜোāϰে āϟিāĻĒāĻ›ে...āφāĻš āĻ“āĻš... āĻ•িāĻ›ুāĻ•্āώāύ āĻĒāϰ āϞোāĻ•āϟা āĻ“āϰ āĻ—ুāĻĻে āĻŽাāϞ āĻĸেāϞে āĻĻিāϞ। āĻļাāϰāĻŽিāύ āĻŦāϞāϤে āϚে⧟েāĻ›িāϞ āĻŽাāϞ āĻ­েāϤāϰে āĻĢেāϞোāύা āĻĄেāύ্āϜাāϰ āĻĒিāϰি⧟āĻĄ āĻ•িāύ্āϤু āϚোāĻĻা āĻāϤ āĻŽāϜা āϞাāĻ—āĻ›িāϞ āϝে āĻŽাāϞ āĻ­েāϤāϰে āύিāϤে āχāϚ্āĻ›ে āĻšāϚ্āĻ›িāϞ। āϝা āĻšāĻŦাāϰ āĻĒāϰে āĻšāĻŦে āφāĻ—ে āĻŽāϜা āύি⧟ে āύিāχ ..... āĻļāĻĢিāĻ• āĻŽাāϞ āĻ›ে⧜ে āĻĻিāϞ āĻŽে⧟েāϟাāϰ āĻ—ুāĻĻে... āφ āφ āĻļāĻŦ্āĻĻ āĻ•āϰে.. āϤāĻ–āύি āĻ­েāϤāϰ āĻĨেāĻ•ে āφāĻŦাāϰ āĻ াāĻ•ুāϰ āĻŽāĻļাāχāĻāϰ āĻšাāĻ• āĻāϞ, āĻ•ে āϰে āĻ“āĻ–াāύে…. āĻļāĻĢিāĻ• āĻĒāϰি āĻ•ি āĻŽāϰি āĻ•āϰে āĻ­ো āĻĻৌ⧜। āĻļāĻĢিāĻ• āĻŦা⧜ী āύা āĻāϏে, āĻŦাāϜাāϰেāϰ āĻĻিāĻ•ে āϝা⧟.. āĻŦেāĻļ āĻ–িāĻĻে āĻĒে⧟েāĻ›ে। āĻĻেāĻ–া āϝাāĻ• āϰāĻŽিāϜেāϰ āĻšোāϟেāϞে āĻ•িāĻ›ু āĻĒাāĻ“ā§Ÿা āϝা⧟ āĻ•ি āύা... āϏেāχ āĻŦিāĻ•েāϞ āĻĨেāĻ•ে āĻŦা⧜ীāϰ āĻŦাāχāϰে..āĻļাāϰāĻŽিāύ āĻāĻŦাāϰ āφāϰ āĻŦোāĻ•াāϰ āĻŽāϤো āĻĻা⧜ি⧟ে āĻĨাāĻ•āϞো āύা। āĻĻৌ⧜ে āϚāϞে āĻāϞ āϰাāϏ্āϤাāϰ āĻĻিāĻ•ে। āϤাāϰāĻĒāϰ, āĻļাāύ্āϤ āĻ­ংāĻ—িāϤে āĻšেāϟে āĻšেāϟে āĻŦা⧜ী āϚāϞে āφāϏে। āĻŦা⧜িāϤে āĻĸুāĻ•āϤে āĻ•েāĻŽāύ āϝেāύ āϭ⧟ āϭ⧟ āϞাāĻ—āĻ›ে। āĻ•ি āĻŦāϞāĻŦে āĻļāĻĢিāĻ•āĻ•ে, āĻāϤ āϰাāϤ āĻšāϞ āĻ•েāύ, āĻāĻ•া āĻ•েāύ, āϤোāĻŽাāĻ•ে āĻ•ে āĻŦāϞেāĻ›ে āĻāĻ•া āφāϏāϤে... āχāϤ্āϝাāĻĻি āĻĒ্āϰāĻļ্āύেāϰ āωāϤ্āϤāϰ āĻŽāύে āĻŽāύে āϤৈāϰী āĻ•āϰāϤে āĻĨাāĻ•ে āĻļাāϰāĻŽিāύ। āĻ•িāύ্āϤু āĻŦা⧜ীāϤে āĻĸুāĻ•ে āĻĻ⧜āϜা⧟ āϤাāϞা āĻĻেāĻ–ে āĻ­াāĻŦে āϝাāĻ• āϤাāĻšāϞে āĻļāĻĢিāĻ• āĻŦা⧜ী āύেāχ। āĻ“āĻ•ে āĻŽিāĻĨ্āϝে āĻ•āϰে āĻŦāϞা āϝাāĻŦে āĻ“ āφāĻ—েāχ āĻāϏেāĻ›ে। āĻļāĻĢিāĻ• āĻ“āϰ āϘāϰে āφāϞো āϜ্āĻŦāϞāϤে āĻĻেāĻ–ে āĻ…āĻŦাāĻ• āĻšāϞ। āĻļাāϰāĻŽিāύ āĻ•ি āĻāϏে āĻĒāϰেāĻ›ে āϤাāĻšāϞে। āĻ•āĻ–āύ āĻāϏেāĻ›ে āĻ•ে āϜাāύে। āĻļāĻĢিāĻ• āĻāĻ•āϟু āĻāĻ•āϟু āϭ⧟ে āĻĨাāĻ•ে। āϝāĻĻি āϜাāύāϤে āϚা⧟ āĻāϤāĻ•্āώāύ āĻ•োāĻĨা⧟ āĻ›িāϞো... āϝāĻĻি āĻŦুāĻāϤে āĻĒাāϰে... āĻ­াāĻ—্āϝিāϏ āĻļাāϰāĻŽিāύেāϰ āĻ•াāĻ›ে āϘāϰেāϰ āĻāĻ•āϟা āϚাāĻŦি āĻ›িāϞ। āĻŽāύে āĻŽāύে āĻŽিāĻĨ্āϝা āωāϤ্āϤāϰ āϤৈāϰী āĻ•āϰāϤে āĻĨাāĻ•ে...
āĻļāĻĢিāĻ• : āĻ•āχ āϤুāĻŽি āĻāϏে āĻĒāϰেāĻ›ো āύাāĻ•ি?
āĻļাāϰāĻŽিāύ : āĻš্āϝা
āĻļāĻĢিāĻ• : āĻ•াāϰ āϏাāĻĨে āĻāϞে
āĻļাāϰāĻŽিāύ : āĻļāϰীāĻĢ āĻ­াāχ āφāĻ›েāύা, āĻļāϰীāĻĢ āĻ­াāχ āύāϤুāύ āĻ…āϟো āĻ•িāύেāĻ›ে, āĻ“āύাāϰ āϏাāĻĨেāχ āĻŽা āĻĒাāĻ ি⧟ে āĻĻিāϞ।
āĻļāĻĢিāĻ• : āϤাāχ āύাāĻ•ি। āϝাāĻ• āĻ–ুāĻŦ āĻ­াāϞ āĻšā§ŸেāĻ›ে। āĻāĻ–āύ āĻĨেāĻ•ে āϤোāĻŽাāĻĻেāϰ āĻŦা⧜ী āϝেāϤে āϚাāχāϞে āĻ“āύাāĻ•ে āĻ–āĻŦāϰ āĻĻিāϞেāχ āĻšāĻŦে। 
āĻļাāϰāĻŽিāύ : āĻš্āϝা āφāĻŽিāĻ“ āϤাāχ āĻ­াāĻŦāĻ›ি।
āĻļāĻĢিāĻ• : āϤোāĻŽাāϰ āϜāύ্āϝ āĻŽāύāϟা āĻ•েāĻŽāύ āĻ•āϰāĻ›িāϞ। āĻ–াāĻ“ā§Ÿা āĻĻাāĻ“ā§Ÿাāϰ āĻ িāĻ• āĻ›িāϞāύা। āĻāχāϝে āĻāĻ–āύ āĻŦাāϜাāϰ āĻĨেāĻ•ে āĻ–ে⧟ে āĻāϞাāĻŽ āĻ াāύ্āĻĄা āĻ­াāϤ āφāϰ āĻĒāϚা āϤāϰāĻ•াāϰী.. 
āĻļাāϰāĻŽিāύ : āφāĻŽাāϰāĻ“ āϤোāĻŽাāĻ•ে āĻ›া⧜া āĻ•েāĻŽāύ āϝেāύ āĻ…āϏ্āĻĨিāϰ āϞাāĻ—āĻ›িāϞ। āϤাāχāϤো āϰাāϤ āĻšāϞেāĻ“ āϚāϞে āĻāϞাāĻŽ... āĻŽāύে āĻšāϚ্āϚিāϞ āφāϰ āĻāĻ•āĻĻিāύāĻ“ āϤোāĻŽাāĻ•ে āĻ›া⧜া āĻĨাāĻ•āϤে āĻĒাāϰāĻŦো āύা।
āϤুāĻŽি āφāĻŽাāĻ•ে āĻāϤ āĻ­াāϞāĻŦাāϏ! āĻš্āϝা āĻ–ু...āω..āĻŦ