Humayun Ahmed

Humayun Ahmed (Bengali: হুমায়ূন আহমেদ) (13 November 1948 – 19 July 2012) was a Bangladeshi author, dramatist, screenwriter, playwright and filmmaker.^[2] Ahmed emerged in the Bengali literary world in the early 1970s and over the subsequent decade became the most popular fiction writer of the country. His breakthrough occurred with the help of Ahmed Sofa^[3] and the publication of his first novel, Nondito Noroké in 1972.^[4] He was a former professor of Chemistry at the University of Dhaka, Bangladesh.
Notably, as of February 2004, Ahmed continued to top the best sellers list of Bangla Academy (Bangladesh) book fair, a feat that had been maintained over the previous two decades.^[5]
In 2012 he was appointed as a special adviser to the Bangladesh Mission in the United Nations.^[6]
As a writer, Ahmed often displayed a fascination for creating stories around supernatural events; his style was characterized as magic realism.^[7]

Early life

Humayun Ahmed was born in Mohongonj, Netrokona, but his village home is Kutubpur, Mymensingh,^[8] Bangladesh (previously East Pakistan). His father, Faizur Rahman Ahmed, a police officer and writer, was killed by Pakistani military during the liberation war of Bangladesh in 1971. His mother is Ayesha Foyez. Humayun's younger brother, Muhammed Zafar Iqbal, a university professor, is also a writer of mostly science fiction genre and a newspaper columnist.^[9] Another brother, Ahsan Habib, is a painter and the editor of Unmad, a cartoon magazine. Ahmed was married to Gultekin, granddaughter of Principal Ibrahim Khan, in 1973. The couple got divorced in 2003. He later married TV actress, Meher Afroz Shaon.

Education and early career

Humayun Ahmed went to many schools in Sylhet, Comilla, Chittagong, Dinajpur and Bogra as his father lived in many places upon official assignment. He passed the School Certificate Examination as a student of Bogra Zilla School in 1965. He stood second in the merit list in the Rajshahi Education Board. Later he was admitted to the Dhaka College & passed the Intermediate Examination in 1967. He initially planned to study economics but suddenly changed his mind and got admitted into the Dhaka University to study Chemistry. He passed both B.Sc (Honours) and M.Sc with First Class. Subsequently he joined the Dhaka University as a Lecturer in Chemistry. Later he went abroad to the North Dakota State University in the United States to study for Ph.D. After having studied physical chemistry for two years he was impressed by the lecture of a professor of polymer chemistry; and eventually secured a Ph.D degree in polymer chemistry. He returned to Bangladesh and resumed teaching at the Dhaka University. He retired as a teacher around mid 1990s to devote all his time to writing and production of film.

Television and film

His first television drama was Ei Shob Din Ratri (Tale of our daily lives), and was followed by the comedy series Bohubrihi, the historical drama series Ayomoy, and the urban drama series Kothao Keu Nei (Nobody Anywhere). The last one featured a fictional character of an idealistic gang leader named Baker Bhai, who was wrongly convicted and executed. Baker Bhai became such a popular character that before the last episode was aired, people across the country brought out processions protesting his death sentence; public prayers and death anniversaries have been observed for this fictional character by Ahmed's fans. Nakshatrer Raat (The Night of the Stars) was a long serialized televised drama that explored many facets of modern human life and relationship.
Ahmed explored the film industry both as an author and director. He directs films based on his own stories. His first film, "Aguner Parashmoni", based on the liberation war, won the National Film Award in total eight categories, including Best Picture and Best Director. The theme of the Liberation War often comes across in his stories, often drawing upon Ahmed's in-depth memories of that war and his father's execution during the war.
Ahmed's film Shyamal Chhaya was submitted by Bangladesh for Oscar nomination for best foreign language film. This film was also based on the liberation war of 1971. It portrayed a realistic picture of the liberation war without malice and prejudice.^[10]
Ahmed also wrote songs for few of his own films and plays. Some of the notables are titled as Ami Aaj Bhejabo Chokh Somudrer Joley, Chadni Poshor Ratey and Amaaar Achey Jol.

Humayun lived death in lifetime!

Dhaka, Jul 24 (bdnews24.com) – Humayun Ahmed almost knew where the killer disease called cancer was going to take him finally, or at least so it seems.

And being a writer, he picked up his pen-n-paper yet again to narrate how it would be like to be dead – his premonition of death.

Perhaps, he had sensed the disease even before the formal diagnosis of cancer in September last year, and authored his experiences in "Megher Upor Bari" (house over the clouds), which he published in the National Book Fair he attended in February this year.

Surprisingly, Humayun died exactly the way described in the book, which can be at best termed a mere coincidence or through the writer's preferred theory of Extrasensory Perception (ESP).

With a dateline of Jamacia, New York, where the writer had fought the fatal disease for close to 10 months, Humayun in a two-paragraph preface to the book writes, "I wrote this novel…when a complex disease named cancer has made my body its abode. I did not know about it until then… Is it true that my sub-conscious mind had the news for a strange reason?"

"I assume it is true. That's why I have written this novel in the words of a dead man… Why did I write all these? The universe is mysterious."

Then begins the novel: "I am dead, or am I going to die, I still cannot decide. It seems I am dead."

The agonist, who has just died, begins telling the story reminding repeatedly, "I am dead."

Humayun, a charismatic writer, who is often identified affectionately by his fans as 'a man moonstruck' for his romanticism for moonlit-night and rain, could not keep up with being dead for long.

His protagonist looked for a console and said, "I now understand, telepathy is a power that comes after death."

"Living people do not have any telepathic power, dead do have. Don't know if everyone of the dead has it ... at least I have."

Within a few pages the power, which made many of his fiction characters so influential like Himu, who has strong influence on the younger generation, soon appeared frail confronting another problem of being dead: "Maybe, dead cannot feel by touching. The matter is not clear to me. (Page 18)"

The dead protagonist then wonders why his dead relatives are not coming to give him a lift.

"I knew, relatives crowd around a man dying. They mainly try to make the man's journey into the unknown world easier. (Page 23)"

Humayun, who wrote over 322 books topping the list of bestsellers for over two decades in Bangladesh due to lucid narratives peppered with humour, takes an absurd break, "How will my hell look like? There will be some of my students .... they will ask me questions I will not be able to answer. (Page 25)"

Coincidentally, the dead protagonist has strange resemblance to the writer, a Ph.D in Polymer Chemistry who taught Chemistry at the Dhaka University. The protagonist is Dr Iftekharul Islam, an Associate Prof of Applied Physics.

"It will definitely make news for newspapers. Media person await such news. A follow-up is published every day. But it stops the 5th or 6th days. Everyone will forget everything" thinks the protagonist as the story develops.

But, how the protagonist is going to keep up the suspense when the writer is distracted by the thought of death?

Well, Humayun Ahmed had his ways.

"There are lot many things to enjoy for the people on earth. Drama-cinema-book-music-arts… Is there any such arrangement in afterlife?" the dead protagonist wonders.

Giving every possible detail centering death, Humayun writes: "We are parts of an entertainment game designed by a master programmer."

At certain stages, the dead feels the urge to read and sometimes to write, but finds neither pen nor paper. He decides to continue writing in his thoughts. He thinks about the God and finds himself in the ocean of paradox.

He imagines going through the roads in Shalban as his relatives take his remains for burial. He wonders about his wife and her child who cannot get through the stages of video games without his father.

"I have become an observer," the dead realises sometimes.

The strange thing about the novel is that the writer virtually describes his own death the way it actually came by. The agonist's aunty dies of colon cancer, which after setting off from colon affected her liver and lungs before rendering her unconscious.

On July 18, a day before the writer died, the Bangladesh's Permanent Representative at the UN in New York said an unknown virus had attacked the writer, affecting his lungs and liver and that the writer was unconscious.

At the end of Page 95 of the 96-page book, Humayun writes, "I understand, I have to leave. Where will I go? I don't know. Man does not know from where he comes. Then how is he expected to know where he will go!"

Suddenly the dead protagonist sees lights having abnormal magnetic power pulling him to its centre.

He begins to rush towards the light. He turns for a moment to say, "Men of the earth! Be good. Be happy. I am running towards the light. I know I have to travel an infinite distance. Infinite never finishes. Then how the journey will end? Who will tell me that?"

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