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Name	Shorna
Age	29
Height	5’4”
Gender	Female
Religion	Muslim, Islam
Mother Tongue	Bengali
Marital Status	Divorce
Have Children	NA
Location	Dhaka
Education	BA
Occupation:	Job
Annual Income	NA
Smoke	no
Drink	No
Complexion	Fair
Body Type	Slim
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Phone Number	01737239453
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Name	Sinthia
Age	24
Height	5’3”
Gender	Female
Religion	Muslim, Islam
Mother Tongue	Bengali
Marital Status	Yes
Have Children	Yes
Location	Gulshan
Education	MBA
Occupation:	Job
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Alaskan Women looking for love

A one-of-a‐kind docu‐dating series, ALASKAN WOMEN LOOKING FOR LOVE gives the 6 luckiest women in Alaska the opportunity of a lifetime: to leave their home state for the warm beaches and hot bodies of Miami! Here they will share a beachfront condo and search for the man of their dreams. But the change won’t be easy. For these women who view sunlight as a curious stranger, their reaction to the intense heat and hot sands of South Beach may not be so favorable. Will they appreciate the Eine dining the city has to offer after living off the land their whole lives? And most importantly, how will they react to the strikingly sexy men of Miami? Get ready to experience culture shock on a whole different level.  

 

What parents need to know

Parents need to know that Alaskan Women Looking For Love is a reality doc featuring women trying their luck at finding male partners in Miami, Florida. It contains some strong sexual innuendo, including images of folks in skimpy bathing suits, pole dancing, and provocative touching. The vocab can get salty ( "damn," "ass," "bitch";  "bleeped" curses), and there's lots of smoking, drinking (beer, shots, cocktails, etc.), and drunken behavior, too. Guns and rifles are visible in Alaska; children are shown firing them at targets. Some of the distinctions made between the two geographic regions (and the people who live there) are sometimes stereotypical, too.

Real girls come in all shapes and sizes

A few weeks ago, my friend Tessa made a Facebook status that really hit home: “I will spend my whole life trying to figure out why it's not socially acceptable to point out people's obesity, but it's perfectly fine to torment people for being too skinny.”
I completely agree with her. Although people realize it is rude to call out someone who is overweight, somehow it is socially acceptable to tear down people – especially women – who are “too skinny.” I have been thin my whole life, but I never really thought about it in a negative way until I went to a friend’s house before a middle school dance. As we were getting ready together, she said to me and my other friend, who was also very skinny, “Did you know some people at school think you guys are anorexic?”
Surprisingly enough, I wasn’t terribly insulted. I knew it wasn’t true, and I knew that was all that mattered. However, I think the fact that I can still vividly remember that question is a testament to how it affected me. I know it made me more self-conscious, and since then I have always felt the need to prove that I have healthy eating habits. Especially in high school, I always made a big deal out of what I was eating. I would so often joke about how I was always eating that it eventually became a running joke among my friends. Luckily, I had a solid group of friends and a supportive family who encouraged me to have a positive body image. However, I worried about what strangers thought of me. Sometimes when I ate with acquaintances, I would go to the bathroom after I ate and I worried, “Will they think I’m trying to make myself throw up?”
Societal messages reinforce this need to prove myself. While it seems that women are scrambling to get skinny with crash diets and crazy workout routines, there is also the idea out there that “real women have curves.” Many of these ideas are a response to the fact that the media often glorifies thinness. While encouraging girls to be dangerously thin is certainly wrong, the correct response should not be demeaning naturally thin girls.
For example, you can like a Facebook page called “Curvy girls are better than skinny girls!” Likewise, articles like this one suggest that curvy women are funnier, more loveable and overall better than skinny women. Sometimes women are even told men won’t like them if they’re too skinny.
Of course acceptance of all body types important, but is a person really less attractive or even less human because she doesn’t have curves? Are thin girls imaginary? Curvy women don’t have to gain body confidence or self-esteem by degrading skinny ladies or by saying they’re “not real.” We are all equally human, and although some very thin women have genuine eating disorders, that doesn’t mean all of us do.
This overall negative attitude can lead to a negative body image among thinner people. According to Planned Parenthood’s Health and Information Services, a negative body image can lead to increased anxiety and depression, poor self-esteem, less social interaction and cessation of healthy activities that require people to show their bodies (for example, swimming, exercising and going to the doctor). Researchers at Bradley Hospital, Butler Hospital and Brown's Alpert Medical School have shown that body image is linked to physical health. According to a Science Daily article, teenage patients with negative body images were “more severely ill than other adolescent inpatients in a number of important domains.” The study’s lead author, Jennifer Dyl, Ph.D., said, “These findings underscore just how central feelings about one's appearance tend to be in the world of teenagers and how impairing these concerns can be.”
Celebrities and journalists have also noticed the double standard regarding weight. Kendall Jenner from “Keeping Up With the Kardashians” discussed her weight in an interview with Harper’s Bazaar. “I’m constantly criticized for being too skinny,” Jenner said. “I’m trying to gain weight but my body won’t let it happen. What people don’t understand is that calling someone too skinny is the same as calling someone too fat, it’s not a nice feeling.”
Similarly, a Contra Costa Times article discussed the idea, highlighting the difficulties “naturally skinny” people have even though many of them are healthy. Although there’s no need to walk on eggshells when talking to skinny ladies, the article quotes marriage and family therapist Margie Ryerson, who said that comments on a person’s weight can be hurtful.
“Even if it comes from a sense of caring, it’s not appropriate and can create distress and unhappiness for the person,” Ryerson said. “They can feel blamed and criticized.”
Overall, it’s important to remember that calling someone “too skinny” or claiming “real women have curves” can be hurtful to women who are thin. Skinny girls are insecure sometimes too, and no woman’s weight determines her beauty.

Indigo Girls

The Indigo Girls are an American folk rock music duo consisting of Amy Ray and Emily Saliers. They met in elementary school and began performing together as high school students in Decatur, Georgia, part of the Atlanta metropolitan area. They started performing with the name Indigo Girls as students at Emory University, performing weekly at The Dugout, a bar in the Emory Village.

They released a self-produced, full-length record album in 1987 and contracted with a major record company in 1988. After releasing nine albums with major record labels from 1987 through 2007, they have now resumed self-producing albums with their own IG Recordings company.

Outside of working on Indigo Girls-related projects, Ray has released solo albums and founded a non profit organization that promotes independent musicians, while Saliers is an entrepreneur in the restaurant industry as well as a professional author; she also collaborates with her father, Dr. Don Saliers, in performing for special groups/causes. Both Saliers and Ray self-identify as lesbian and are active in political and environmental causes.
Early years

Amy Ray and Emily Saliers first met and got to know each other as students at Laurel Ridge Elementary School in DeKalb County, Georgia, just outside of Decatur, Georgia, but were not friends because Saliers was a grade older than Ray. While attending Shamrock High School (now Druid Hills Middle School), they became better acquainted, and started performing together, first as "The B-Band" and then as "Saliers and Ray".

Saliers graduated and began attending Tulane University. A year later, Ray graduated and began attending Vanderbilt University. Homesick, both returned to Georgia and transferred to Emory University.

By 1985 they had begun performing together again, this time as the Indigo Girls. In a March 2007 National Public Radio Talk of the Nation interview, Saliers stated "we needed a name and we went through the dictionary looking for words that struck us and indigo was one."[1]

Their first release in 1985 was a seven-inch single named "Crazy Game", with the B-side "Everybody's Waiting (for Someone to Come Home)". That same year, the Indigo Girls released a six-track Extended play album named "Indigo Girls", and in 1987 released their first full-length album, Strange Fire, recorded at John Keane Studio in Athens, Georgia, and including "Crazy Game". With this release, they secured the services of Russell Carter, who remains their manager to the present; they had first approached him when the EP album was released, but he told them their songs were "immature" and they were not likely to get a record deal. Strange Fire apparently changed his opinion.
Epic Records (1988–2005)

The success of 10,000 Maniacs, Tracy Chapman, and Suzanne Vega encouraged Epic Records company to enlist other folk-based female singer-songwriters; Epic signed the duo in 1988. Their first major-label release, also named Indigo Girls, which scored #22 on the album chart, included a new version of "Land of Canaan", which was also on their 1985 EP album and on Strange Fire. Also on the self-titled release was their first hit "Closer To Fine" (an unlikely collaboration with Irish band Hothouse Flowers), which scored #52 on the popular music chart and #26 on the modern rock chart. They even managed one week on the mainstream rock album-oriented rock music chart at #48.[2][3] In 1990, they won a Grammy Award for Best Contemporary Folk Album. They were also nominated for Best New Artist (but lost to Milli Vanilli who eventually had that award revoked).

Their second album, Nomads Indians Saints, went gold in December 1991 and included the hit song "Hammer and a Nail", a #12 modern rock music track; it was not as successful as their first, which was certified platinum at about the same time. The Indigo Girls followed it with the live Back on the Bus, Y'all and 1992's album Rites of Passage, featuring the song "Galileo", the duo's first top 10 modern rock music track (#10). This was followed by Swamp Ophelia in 1994, which went platinum in September 1996, and charted at #9 on the Billboard 200 album chart.

In 1995, the Indigo Girls released a live, double CD, 1200 Curfews. Shaming of the Sun was released in 1997 followed by Come on Now Social in 1999. Shaming of the Sun debuted at number seven on the Billboard charts, driven by the duo's contribution to the Lilith Fair music festival tour. The track "Shame on You" received more airplay on adult alternative, top 40 and adult top 40 radio stations than any of their previous singles, although this seemed to be a peak in their crossover success.

Retrospective, a compilation album with two new tracks, was released in 2000 and Become You followed two years later. Their last Epic studio album was All That We Let In, released in 2004 with an accompanying tour. On June 14, 2005, they released Rarities, a collection of B-sides and rare tracks partially decided by fan's input, which fulfilled the album count obligation for their contract with Epic.
Hollywood Records (2006–07)
Indigo Girls performing in 2005.

After departing Epic, the Indigo Girls signed a five-record deal with Hollywood Records. Their first (and only) Hollywood album, Despite Our Differences, produced by Mitchell Froom, was released on September 19, 2006. John Metzger from MusicBox Online described Despite our Differences as "the most infectious, pop-infused set that the duo ever has managed to concoct. In fact, its melodies, harmonies, and arrangements are so ingratiating that the album carries the weight of an instant classic." Thom Jurek from Allmusic wrote: "part of an emotional journey as complete as can be. More relevant than anyone dared expect. It's accessible and moving and true. It's their own brand of rock & roll, hewn from over the years, that bears a signature that is now indelible. A moving, and utterly poetic offering."

The Indigo Girls contract was terminated by Hollywood Records during their 2007 tour to support the album.
Independent work (2007–present)

Following their break with Hollywood Records, the Indigo Girls announced their next record would be released independently. Poseidon and the Bitter Bug was released on March 24, 2009, from IG Recordings, the Indigo Girls' label, and distributed through Vanguard Records. This album is their first fully independent release since 1987's Strange Fire, and their first two-CD set since 1995's live album 1200 Curfews; the first disc has the 10 tracks accompanied by a backing band, and the second includes the same 10 songs with only Ray and Saliers on vocals and acoustic guitars, and an additional track. On June 29, 2010 Indigo Girl's 2nd full length live album 'Staring Down the Brilliant Dream' was released on IG Recordings/Vanguard Records. This was followed up on October 12, 2010 with their first holiday album 'Holly Happy Days'. Indigo Girls' thirteenth studio album 'Beauty Queen Sister' was released on October 4, 2011 (IG Recordings/Vanguard Records).
Songwriting

Ray and Saliers do not ordinarily collaborate in writing songs. They write separately and work out the arrangements together. There are a few exceptions, mostly unreleased songs from their early, pre-Epic days: "I Don't Know Your Name" and "If You Live Like That." "Blood Quantum," which appears on Honor: A Benefit for the Honor the Earth Campaign featured Ray's verses and chorus and Saliers's bridge. Finally, "I'll Give You My Skin," which appears both on Tame Yourself (Benefit People for the Ethical Treatment of Animals) and on the Indigo Girls release Rarities, is a collaborative work by Ray, Saliers, and Michael Stipe which is doubly rare, as Saliers and Ray usually write their songs without outside collaborators.